Word: sequels
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Dates: during 1950-1959
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Requiem for a Nun is no requiem, and its "nun" is a 17th century word for whore. It was adapted by Novelist William Faulkner from his 1951 sequel to his 1930s shocker, Sanctuary. The story is a further look at Temple Drake (Ruth Ford), the Sanctuary college girl who landed in a Memphis brothel-and loved it. In Requiem, Temple has become a guilt-ridden, respectable wife, grappling for salvation. Boston critics agreed that it promised spiritual significance, but found it dramatically static. The Catholic Pilot's George E. Ryan commended it for "daring to grapple with the question...
...Odyssey: A Modern Sequel, by Nikos Kazantzakis, translated by Kimon Friar. With Apollonian clarity and Dionysian passion, Greece's late, famed man of letters challenges Homer with a sequel that is a modern epic of adventure, eroticism, and the universal quest for self-knowledge...
...Odyssey: A Modern Sequel, by Nikos Kazantzakis, translated by Kimon Friar. Only a very bold poet would have dared to pick up where Homer left off. Greece's late Nikos Kazantzakis did it in a vast, soaring poem in which high adventure, brutality and erotic appetites are finally subordinated to a search for self-knowledge...
Masterpieces of literature are hard to come by and even harder to recognize. This is particularly true when they are written in verse, and when they presumably lose their pristine shine in the process of translation. It has taken 20 years for The Odyssey: A Modern Sequel to reach English in hexameter from its original modern Greek. The poem has not been translated into any other language and so is virtually unknown outside its native Greece. But in it, chances are, U.S. readers have a masterpiece at hand, in a fine translation...
Beyond the Pagan World. The Odyssey: A Modern Sequel is a huge repository of bloody adventure, eroticism, brutal sights and sounds, magnificent descriptions of the earth, sea and sky and all their wonders. Man's coarsest appetites and his noblest aspirations exist side by side in Odysseus, and he is as ready to seduce a simple girl by pretending to be a god as he is to admit his doubts about himself and the human condition...