Word: sentimentally
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Dates: during 1960-1960
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...Byrd has yet to speak a kind word for Kennedy; North Carolina, where Ike four years ago lost by only 16,000 votes and Nixon interest is running high since his Greensboro visit; Florida, where Republicans are strong and Democrats are feuding; Kentucky and Oklahoma, each with considerable religious sentiment running; Tennessee, which has long had a traditional Republican belt in the east and now has an additional G.O.P. vote in the cities; and Texas, where Lyndon Johnson's home-state appeal is countered by a large bloc of conservative Democrats...
...mature on the China problem." Many Turks seemed to agree with an Ankara businessman who said: "Nixon was willing to stand up to the Russians, but we don't know anything about Kennedy." In Britain and the Scandinavian countries, where nostalgia for Adlai Stevenson remains high, much sentiment favored the Democrats. They did not know Kennedy, but had lingering doubts about Nixon...
Sartre also discovered that one of Cuba's primary passions was shame: shame at the way the Yankee tourists, spending all those dollars, had treated Cuba like a dance-hall girl - "and shame, as Marx pointed out, is a revolutionary sentiment." The beards must win, concluded Sartre, and their shrewdest strategy is in making the U.S. the villain: "If the United States did not exist, perhaps the Cuban revolution would invent it; for it is the United States which conserves the freshness and originality of the revolution." Not to be outdone, Paris' weekly L'Express commissioned...
...Forum last night. Although the capacity audience did not seem to share his feeling, the editor of Prezekroj indicated that Polish writers do not suffer from governmental suppression. What appears to be suppression, he stated, comes from Poles believing the attacked works are too controversial or unrepresentative of Polish sentiment...
...acting carried over from the silent films.. But it is not the sort of antique that must be watched with embarrassment. Lotte Lenya, as Jennie, is gawkily charming, and such Kurt Weill-Bert Brecht songs as Mack the Knife and Pirate Jenny retain their peculiar combination of sentiment and cynicism, even when filtered through English subtitles. Viewers who have seen the English stage version that has played for several years in Manhattan's Greenwich Village will notice differences; the film, for some reason, has fewer songs, and its mockery of capitalism is more savagely direct. The stage play...