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Word: sensuous (lookup in dictionary) (lookup stats)
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Kill Bill: Vol. 2, is an ode to the most cunning and sensuous lips ever to grace the screen. Under the lens of Robert Richardson, an emerging master of the close-up, Uma Thurman’s lips star in Vol. 2 as though they were themselves a separate character. Indeed, an entire subplot could be drawn merely among the players’ lips, which Tarantino leaves under scrutiny through his final scene. Surely most moviegoers will reject this lip thesis in favor of the fairly blatant kung fu theme which runs through—and, admittedly, uplifts?...

Author: NO WRITER ATTRIBUTED | Title: Happenings | 4/30/2004 | See Source »

Quentin Tarantino may be an unapologetic sadist, but he is clearly a fetishist as well. Kill Bill, Vol. 2, the follow-up to his ghoulish and gaudy first volume, is an ode to the most cunning and sensuous lips ever to grace the screen...

Author: By Zachary M. Seward, CRIMSON STAFF WRITER | Title: Film Review: Kill Bill, Vol. 2 | 4/23/2004 | See Source »

...Christ." Cartman shrugs: "Well, what's the difference? You love Christ, you're in love with Christ - I mean, what the heck is this?" What it is, is a profession of faith more lurid than Gibson could have dreamed, as in the uptempo spiritual, "Body of Christ," with these sensuous lyrics...

Author: /time Magazine | Title: Jesus Christ Movie Star | 2/29/2004 | See Source »

...Bazille volunteered and was killed in combat in the Franco-Prussian War. Frédéric Bazille (Oct. 1-Jan. 18) is the first retrospective of his brief career to appear in Paris since 1950. With such accomplished paintings as the big, crystalline Family Reunion and the sensuous, almost Orientalist, La Toilette this small show makes clear how much extraordinary promise was lost with Bazille's early death. Jean Cocteau was a jack-of-all-trades - poet, playwright, novelist, artist, designer, filmmaker and quintessential Parisian socialite - whose career covered the decades from 1909 to 1963. Jean Cocteau, Spanning...

Author: /time Magazine | Title: Paris Collections | 9/28/2003 | See Source »

...North African tribal chant, a Middle Eastern treatment of the theme from Fiddler on the Roof, a brooding interpretation of a classical piano piece written in 1888 by French composer Erik Satie ... Mann's flute is a sparrow in the treetops, lightly flitting and chirping above a heavy, sensuous beat laid down by the rhythm section ... Mann plays with eyes closed, standing disjointedly and undulating as if to entwine himself around the microphone ... [Says Mann:] 'We play simple, enjoyable music. My audience doesn't know it's supposed to be something they shouldn't like. It's not jazz...

Author: /time Magazine | Title: Letters | 8/4/2003 | See Source »

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