Word: sensualness
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...third stratum of Joyce's book even deeper meanings appear. Stephen represents the intellect, the creative imagination; Mrs. Bloom the earth, the flesh; Bloom the average half-intelligent, half-sensual man. Like ancient Troy, Ulysses is many cities on one foundation. If the plain reader keeps on digging he may discover that each of Ulysses' 18 episodes is written in its own style, in which Joyce has tried to blend the minds of the characters, the place, atmosphere, feeling of the time of day. Each episode turns on an organ of the body, an art and a particular...
...daring exploration of male homosexuality, done boldly in London last January, it has been purged by Producer-Director Harris of its sexual psychopathy. Now it ostensibly embroiders only the spiritual dependence of an older man on a young man in his own sybaritic image, the boy's sensual dependence on the luxuries the older man supplies. James Dale plays an elderly feline exquisite with a soul of catgut; Laurence Olivier plays a fickle and selfish young toady with an hysteria never seen on the playing fields of Eton...
...said Boring yesterday, "we don't really know what the phenomena are at bottom. The existence of supernatural phenomena stands unproved in the Margery sessions or in any other sessions, for the immediate sensual phenomena as actually observed by the eyes and ears were all later apparently reproduced and explained by an amateur magician, G. H. Code '17, a member of the Harvard professors' group...
...given the world many a magnum opus, including Christendom's best-known book, few true-blue Jewish novels aim at or succeed in putting Christian readers in a state of grace. Solal does just that; it is a wild, melodramatic romance, stuffed with grotesque comedy, Old Testament lamentations, sensual psalms, shrewd cynicism and shrewder kindliness, ending finally in pure parable. When Solal appeared in Paris in 1930, even the French literary press sputtered : "A great Jewish novel . . . a great book . . . tumultuous . . . explosive . . . overbrimming...
...Sidney. She has remarkable reserve in depicting sentimentally emotional scenes which Helen Hayes, who has been so highly praised, lacks. Without a flood of tears, with the slightest modulation in voice, which paradoxically should be the reaction of the opposite emotion, she can show her consternation. Her acting, delicately sensual and at the same time intelligent, makes the film worthwhile...