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...Bravos. Penderecki scored the opera for an 80-voice chorus and a massive orchestra: 32 woodwind and brass instruments, 42 strings, an organ, harmonium, electric bass guitar and a diverse array of percussion instruments, including timpani and musical saw. Though it produces the now familiar range of Penderecki sound-semi-tones and quarter tones, tone clusters, glissandi and primitive knocking noises-the orchestra plays a secondary role to the chorus, which is constantly busy humming, singing neo-Gregorian chant, screaming, laughing, muttering and yelping...

Author: /time Magazine | Title: Opera: The Devil and Penderecki | 7/4/1969 | See Source »

...BETTER BE WORTH THE TRIP, by John Donovan (Harper & Row; $3.95). A few months in the life of a 13-year-old emigre from New England to New York City in the custody of a mother who is almost a stranger. Rather sophisticated, with a semihomosexual scene, and a semi-Catcher in the Rye style, the book is nevertheless remarkably touching...

Author: /time Magazine | Title: Television: Jun. 20, 1969 | 6/20/1969 | See Source »

...Tobeys and Youngermans featured there under Lady Bird's tenancy. Those particular paintings have consequently vanished, but their replacements are still works by contemporary Americans. The show that has been on during past months includes Wolf Kahn's diffused Yellow House (1967), Roy Moyer's semi-abstract Cypresses (1968), John Button's Hopperesque Lake Erie (1968), and an assortment of paintings by artists from other schools and other parts of the country. Hidden in private offices can even be found a few lithographs by such avant-garders as James Rosenquist and Frank Stella...

Author: /time Magazine | Title: Patrons: Not All That Square | 6/20/1969 | See Source »

...city life. "The energies of the people of New York at present have no purchase on their own natural wit and intelligence," he says. "They have no purpose other than to watch with a certain gallows humor the progressive deterioration of their city." Under Mailer's plan for semi-independent neighborhoods, however, "those energies could begin to work for their deepest and most private and most passionate ideas about the nature of government, the nature of man's relation to his own immediate society...

Author: /time Magazine | Title: New York: Mailer for Mayor | 6/13/1969 | See Source »

KKAPLAN, on the other hand, had been forced to go to the administration for everything the HUC did. He held weekly conferences with Glimp during the year and semi-weekly talks with Ford. Most became general discussions of student gripes, but the channels of communication were open to him. HUC had made Kaplan a natural student-administration coordinator. SFAC turned Glazier into an organizational head. Glazier and Kaplan not only think alike, but even talked the same. "During the strike, Kaplan and I didn't have anything to do with each other organizationally," Glazier said, "but we understood each other...

Author: By Scott W. Jacobs, | Title: Steve Kaplan Ken Glazier | 6/12/1969 | See Source »

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