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Drivin them big old semi rigs down the roads in Ohio...

Author: By Mickie Kaus, | Title: The Lonesome Picker Rides Again | 11/22/1971 | See Source »

...National Criminal History" file has brought the FBI into the nation's economic life as a broker of employment for private and semi-private corporations. To corporations. Aryeh Neier wrote in his paper for the conference, the decision to hire or not to hire someone is a matter of statistics. While an individual may not have done anything, statistically a number of those who have been arrested are criminals. The safest bet is not to hire anyone who has ever been arrested...

Author: NO WRITER ATTRIBUTED | Title: FBI in Society: The Nationwide Chilling Effect | 11/15/1971 | See Source »

Perhaps the reason Kramer was eating up the questioners' semi-condescending 'artistic appreciation' was its novelty. For years, Kramer was Hollywood's only liberal "socially-conscious" producer-director (with the occasional exception of New York outsiders like Kazan). He stayed in Hollywood for studio money and soundstages, and his films were among the few made there that dealt, on a large scale, with important contemporary subject matter: racial strife, American "success", the misfit problems of war veterans and motorcycle gangs. To make them, Kramer had to fight--and then compromise. He hoped to film the T.V. play, Judgment at Nuremberg...

Author: By Michael Sragow, | Title: Guess Who's Coming to Brandeis? | 11/12/1971 | See Source »

Behind a locked door in Vatican City waits a present for Pope Paul VI that may conceivably please its recipient but has already shocked many who have seen photographs of it. The gift is a large (about 71 ft. by 12 ft.) portrait of His Holiness, painted in a semi-abstract mode, in which the Pope's emaciated, suffering face and folded hands are the focus of splintering shafts of light. German Painter Ernst Guenter Hansing, 42, sketched his subject during twelve protracted stays at the Vatican over a period of 21 years. Though he never had a private...

Author: /time Magazine | Title: People, Nov. 8, 1971 | 11/8/1971 | See Source »

...Dryden's percussion adds to the tone of the songs without obscuring the foreground. Garcia, as always, is Garcia: often out of tune, occasionally absent-minded, but nevertheless, undisciplinedly great. He shoots off long, sinuous strands of pedal steel, especially in "All I Ever Wanted": his guitar turns a semi-Paul McCartney lament into a really moving love song...

Author: By Dave Caploe, | Title: Riders of the Grateful Dead | 11/6/1971 | See Source »

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