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Like William Fox, Adolph Zukor, Jesse Lasky, Lewis J. Selznick and the rest of his picturesque competitors, Uncle Carl Laemmle was a brilliant showman. What other qualifications he had to run a major cinema company sometimes seemed mysterious. But for a long time none was necessary. Nepotism, always prevalent in Hollywood, was a fixed tradition at Universal City. On frequent trips to his birth place, Carl Laemmle usually returned with relatives who were promptly placed on Universal's payroll. Many were incompetents. None was discharged. The peak of Universal nepotism came in 1929. Carl Laemmle made his son, Carl...

Author: /time Magazine | Title: Cinema: Universal to Cowdin | 3/23/1936 | See Source »

Little Lord Fauntleroy (Selznick...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 23, 1936 | 3/23/1936 | See Source »

...Frances Hodgson Burnett's famed story about an attachment between a small boy and his mother, which modern psychiatry might regard as dangerous if not traumatic, would automatically have been assured of an enthusiastic response from female cinemaddicts. However, not content to let the first production of Selznick International...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 23, 1936 | 3/23/1936 | See Source »

Distrustful of all change, Hollywood was not sufficiently impressed by Becky Sharp to do more than wait watchfully for the plunge into color which the industry admits is eventually inevitable. The Trail of the Lonesome Pine may be the starting gun. Producers Sam Goldwyn, David Selznick, Alexander Korda, Darryl Zanuck and Walter Wanger, who last week transferred his producing company from Paramount to United Artists, all have one color production on their current schedules; Pioneer Pictures, Inc. has four. Last week when The Trail of the Lonesome Pine broke records for an opening night at Manhattan's Paramount Theatre...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 2, 1936 | 3/2/1936 | See Source »

Advertisements announce loudly that David O. Selznick, the producer of "David Copperfield", is also the producer of "The Tale of Two Cities"-but don't let that deter you from seeing this latest revival of Dickens. The continuous action of this book lends itself to the movies far better than the Copperfield biography...

Author: NO WRITER ATTRIBUTED | Title: * The Moviegoer * | 1/6/1936 | See Source »

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