Word: self
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Dates: during 1970-1979
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...strange impotency also wafts through Michael Weller's extraordinarily naturalistic dialogue. No one tells the right jokes, no one makes the right phone call, no one finishes a project before the next begins and ultimately, Weller reveals that the youth of the '60s have, in the interest of self, failed to spawn a new generation with their former vitality. Weller captured that spirit perfectly in his first hit, Moonchildren, about college students in the '60s. Loose Ends surpasses Moonchildren in scope and finesse...
...Christopher St. to see how she has combined these lives into one soul. Dale Soules plays Arlene, a wiry woman locking out her past, anxious to deal with the daily pain of life in the real world without resorting to crime, without ugly language, without her old self--Arlie. Simultaneously, Julie Nesbitt carries on as Arlie, Arlene's violent past personified in this small but gutsy, foul-mouthed girl who hates authority and only loves for cash. In the battle between Arlene and Arlie, between poverty and crime, essentially between good and evil, good ultimately emerges victorious. But the play...
...world to be tested like any others. For those who speak so glibly, if only occasionally intelligibly, about falsifiability, they seem curiously unwilling to subject their beliefs to empirical tests. The field I know is a normal academic cross-section, containing the variously brilliant, troubled, foolish, generous, devoted, opportunistic, self-righteous, insecure, hypocritical, self-examining, bigoted, humane, confused, courageous, narrow, fiery, and kind. The field is in a creative ferment, and the meaning which its workers find in it is as various as their own backgrounds, imaginations, and moral visions make it. There are Marxist sociobiologists, as well as feminist...
...greed--as an explanation for why people behave as they do. But as we all know, but due to personal transgression are hesitant to say, there are are many other kinds of greed which we, especially in academic communities, are involved in: the greed for attention, the greed for self-righteousness, the greed to appeal brilliant, the greed to appear morally sensitive, the greed for fame, the greed for power--all the varieties of emotional greed that pollute, distort, and twist the psyches of intelligent women and men, moving them to acts which they, in clear heart, would not have...
...forceful character, who makes her son's childlike infatuation with her fairly credible. Henny falters where the script does. She's got too many lines and knows it, so she gropes for a way to enrich her persona. The result is a character who's too self-consciously spunky, reminiscent, at times, of Granny on the Beverly Hillbillies. And when it comes time for that last dramatic soliloquoy, her part collapses altogether...