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PROFESSOR PAINE'S piano recitals will begin on the second Thursday after vacation, in Boylston Hall, at half past seven o'clock...

Author: NO WRITER ATTRIBUTED | Title: BREVITIES. | 4/6/1877 | See Source »

...programme will be as follows, unless circumstances demand a change; 1. 100 yards, trial-heats. 2. Throwing the hammer. 3. One-mile run. 4. 100 yards, second trial-heats. 5. Seven-mile walk (during which will take place running high jump, putting the shot, and running broad jump in the order named). 6. 100 yards, final heat. 7. 440 yards, trial-heats. 8. One-mile walk. 9. 220 yards, trial-heats. 10. Tug of war, trial heats. 11. 120 yards hurdle-race, trial heats. 12. 440 yards, final heat. 13. Three-mile walk (during which will take place pole leaping...

Author: NO WRITER ATTRIBUTED | Title: NEW YORK ATHLETIC CLUB. | 4/6/1877 | See Source »

Medals will be given to first, second, and third in each game, excepting in tug of war, where a medal will be given to each member of the winning team...

Author: NO WRITER ATTRIBUTED | Title: NEW YORK ATHLETIC CLUB. | 4/6/1877 | See Source »

...third bout of the middle-weight sparring, and appeared the most evenly matched in size and weight of all the pairs. This round was very spirited, and both contestants showed a familiar knowledge of the gloves. The round was won by Mr. Bryant, as was also the second round and the bout. It remained to decide the last bout of the middle-weight sparring between Messrs. Bryant and Wiley. This first round was by all odds the most interesting feature of the day's sports. Mr. Wiley was very cool and collected. The contestants closed and did lively work, which...

Author: NO WRITER ATTRIBUTED | Title: THE ATHLETIC TOURNAMENT. | 3/23/1877 | See Source »

...orchestral pieces, the March from Mendelssohn, at the beginning of the second part, was in our opinion by far the best. The peculiarly calm, finished, and classical style of the author was rendered in a style which showed careful practice and artistic appreciation on the part of the orchestra; but to Jungmann's "Heimweh" we cannot conscientiously say justice was adequately done. The rich sweet chords of Fesca's trio for piano, violin, and 'cello by Messrs. Deane, Taussig, and Apthorp were happily expressed, though more practice would undoubtedly be followed by greater proficiency...

Author: NO WRITER ATTRIBUTED | Title: THE PIERIAN CONCERT. | 3/23/1877 | See Source »