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Word: scripting (lookup in dictionary) (lookup stats)
Dates: during 2000-2000
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Usage:

...fast as my fingers can snap, I can give you a premise for a new story just like it. There are a lot of people who have ideas - maybe it just so happened that the powers that be [behind "Charlie's Angels"] had seen ["The Doll Squad"] or its script...

Author: /time Magazine | Title: Astro Zombies and Corpse Grinders | 11/10/2000 | See Source »

...producer. And we didn't have a flow going, and we called this guy Steve Brill up, and he actually rejuvinated us and got us a good story line. And we all jamed together on that. It's just trying to make each other laugh. Trying to have the script make some sense, the story make some sense, and make srue we get enough laughs...

Author: By Jordan I. Fox, CRIMSON STAFF WRITER | Title: A Soul-Searching Interview with Adam Sandler | 11/9/2000 | See Source »

...stand on his own" without imitating his well-liked predecessor. He picked a departure, all right--Sheen, lately out of rehab and one of Hollywood madam Heidi Fleiss's most infamous customers. "I saw it as an opportunity to get back into the fold," says Sheen. It took eight script drafts to introduce deputy mayor Charlie Crawford, a party boy we first see waking up in bed with a flight attendant, late for a press conference. (In an early scenario, there was a blackout, and when the lights came back on, Sheen was in Fox's place.) The result...

Author: /time Magazine | Title: Television: Meet the Substi-Stars | 11/6/2000 | See Source »

...have seen a production of Memory elsewhere, you may pick up upon a rather noticeable change which the script has undergone; whereas, in the original text, the women's mother returns as a ghost to speak with Mary (Catherine Gowl '02), Shohet has chosen to evoke the mother's spirit without explicitly causing her to manifest herself. This decision fulfilled several functions for the production. It significantly cut down on the distinctly European (read: long) running time of the London production, turned the show into more of an ensemble piece (though Mary still tends to dominate) and helped to root...

Author: By Matthew Hudson, CRIMSON STAFF WRITER | Title: Water, Water Everywhere | 11/3/2000 | See Source »

...That conflict of disjoined memories of a given event, though a fascinating concept well worthy of theatrical exploration, comes off as a bit heavy handed and contrived in Stevenson's script. The play itself is rather formulaic; it oscillates between high melodrama and situation-comedy. The strength of this production rests in the performers, specifically the three leading ladies. The remarkably strong cast of five has been commonly discussed in the weeks since common casting; the resulting hype may have unreasonably raised the expectations of campus audiences...

Author: By Matthew Hudson, CRIMSON STAFF WRITER | Title: Water, Water Everywhere | 11/3/2000 | See Source »

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