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...Unknown City is a cogent and at times, exhausting read. The impact of the book lies in the unmerciless truth of its subject matter. This is not a movie or TV miniseries of the week. In The Unknown City the screenplay is that of life; the script that of experience. The interviewees are not fictional characters, but real people divulging the most intimate and, oftimes, humiliating details of their lives. And this is why, unless you are using it for a research paper, The Unknown City can be hard to get through. Perhaps it is a function of a culture...

Author: By Joanne Sitarski, CRIMSON STAFF WRITER | Title: Gen X Is More Than the Middle Class | 6/19/1998 | See Source »

...sometime friend and co-star Jack Nicholson said it simply and best: "He gave us our freedom." By which he meant that Brando's example permitted actors to go beyond characterizations that were merely well made, beautifully spoken and seemly in demeanor; allowed them to play not just a script's polished text but its rough, conflicting subtext as well...

Author: /time Magazine | Title: The Actor MARLON BRANDO | 6/8/1998 | See Source »

Niccol sold his spec script to the world's savviest producer, Scott Rudin (In & Out, Clueless, The First Wives Club), who took it straight to Carrey. "Jim had the kind of madness the project needed to ultimately get made," he says. "And his warmth was a hedge against a movie that could have been on the cold side and needed someone with audience sympathy...

Author: /time Magazine | Title: Cinema: Smile! Your Life's On TV | 6/1/1998 | See Source »

...original script was set in New York City. When Niccol teamed with Weir, they changed the scene to Seahaven (much of the film was shot in Seaside, a Florida resort community), where everyone loves Truman because, well, they're paid to. Says Niccol: "We decided to make him a prisoner in paradise." He toyed with various endings--Truman stumbles into a Truman Burbank memorabilia shop, Truman is reunited with his lost love, Truman decides he loves life on TV--and finally devised the current ending, nicely abrupt and ambiguous. "We felt the viewer could write a better ending...

Author: /time Magazine | Title: Cinema: Smile! Your Life's On TV | 6/1/1998 | See Source »

...among much else, luring writers away from Larry Sanders to create shows for Grey's TV studio. Grey denies the allegations, and Shandling won't comment. Otherwise, he has a part in Hurlyburly, a just wrapped film based on the David Rabe play, and he is developing a movie script about an alien who visits earth, a project that has been in the works for years. So his career seems uncertain. But who cares? Shandling's show was better than 99% of everything that's ever been on TV. That should be enough for us, even...

Author: /time Magazine | Title: Television: The Larry We Loved | 6/1/1998 | See Source »

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