Word: scripting
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Dates: during 2000-2009
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Although Cruise and Spielberg, friends for two decades, have been developing the script since 1999, the movie turns out to be topical, a celluloid mirror of current events. Jointly financed by DreamWorks and Fox, it opens amid controversy over Attorney General John Ashcroft's decision to put a terrorism suspect in military detention. Many have noted the similarity between the movie's idea of Precrime and the legal ramifications of arresting but not charging suspected terrorists...
Last time out, Spielberg tried humanizing Kubrick. This time (working from a Philip K. Dick story and an excellent script by Scott Frank and Jon Cohen), he borrows Hitchcock's Catholic belief that we are not all criminals, but we are all guilty; our humanity is our original sin. Anderton--on the run for a murder he hasn't thought of committing of a man he doesn't know--is oppressed by guilt because his young son was kidnapped while they were at a public swimming pool. Indeed, water, as both symbol and character, is everywhere in this film...
...boss wants this story to abide by his script; an orderly fable about the redemptive powers of sport. And the men seem happy to cooperate. "I'm not supposed to talk about what I did to get put in here," says a sweat-streaked Prince at halftime. He says he still has "a few years" to serve behind bars. "You can start to lose hope in here. But training for this tournament the past few months has changed the whole mood in the prison. It's been good...
...Emblem now heads for the Belmont Stakes this week, trying to become the first horse to win the Triple Crown since Affirmed in 1978. It's a great script, at least to anyone who isn't in the horse-racing game. Back at the barn, though, Baffert is getting a whiff of some sour oats from other trainers. The notion is that he "bought" the Derby for nearly $1 million, using his Middle Eastern ATM to pry War Emblem loose from a struggling Chicago businessman, since Reineman's company, Crown Steel Sales, was losing money. This, in a sport...
...Joel Stein's article, he lists the rules for how to create a modern blockbuster. I disagree with Rule 4: "Don't Worry Too Much About the Writing." Spider-Man is actually well written; its taut script mixes serious and thoughtful characterization with over-the-top action and excitement. People are genuinely moved by some of the film's more dramatic scenes. It is this emotional component of Spider-Man's tortured-soul brand of heroism--as he realizes that his loved ones could be put in danger because of his superheroics and that happiness will often take a backseat...