Word: scripting
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Dates: during 1990-1999
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...course, the soulmate the script gives her is an odd choice: apparently intended to serve as the agnostic Ellie's spiritual check and, perhaps, her alter ego; McConaughey manages to be a likable and reassuring figure. But even his best efforts can't hide the fact that his character is both sketchily drawn and almost laughably improbable (imagine him a fixture in Bill Clinton's White House...
...deliciously campy score--is its ending sequence, in which Earth is visually reduced to an alien's plaything. This and occassional lines from Jones referring to Earth as a little backwater planet almost smack of Douglas Adams. Too bad he didn't have a hand in writing the script...
...Watergate days, a political scandal needs two things before it'll stick with the public: a star witness and a catchy plotline. After just one day of Senate Governmental Affairs Committee hearings on campaign finance abuses, Thompson's committee may have both. The Senator departed from his pre-released script when he led off this morning with the plot, alleging that "high-level Chinese government officials" plotted to influence U.S. elections with illegal money in a secret operation. "Our investigation suggests the plan continues today." And then came the witness: John Glenn told Senators that Democratic fundraiser John Huang...
...Long Kiss Goodnight satisfy the dramatic unities while kicking beaucoup butt. And sometimes a gifted director can go beyond the conventional pleasures. With Face/Off, John Woo, the Hong Kong auteur (The Killer, Hard Boiled), has made his smartest, wildest, positively Woo-siest American thriller. Working from a vigorous script by Mike Werb and Michael Colleary, Woo weaves his familiar touches--the slo-mo, the gleaming candles, the long coats flying in the breeze, the doves flying in a chapel as an omen of death--around the central fantasy of male bonding gone berserk...
Amid its shortcomings, the script of "Showboat" does have its moments. A particularly witty scene--in fact, the funniest in the entire show--presents a satirical parody of "showboat" theater, the kind of absurd melodrama that makes the framing drama look great in comparison, and reaches its pinnacle of hilarity with Cap'n Andy's spirited one-man enactment of the denouement and the wonderful punchline: "Curtain! No refunds." And the irresistible swing of "Can't Help Lovin' Dat Man" will have you humming or whistling it before you exit the theater. No wonder that song, along with...