Word: scripting
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Dates: during 1990-1999
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...A.R.T.'s production of the play is impeccable. David Wheeler, who directed the debut of DeLillo's previous the-atrical outing, The Day Room (also at the A.R.T. in 1986), has taken a few minor liberties from the published script which pay off well. Complementing Eigsti's set design, lighting designer John Ambrosone and sound designer Christopher Walker have made a special effort to bring the audience into the production: spotlights search faces and the roaring sound of wind disorients the audience. Simple passivity is difficult for the viewer...
Regardless of cast and set, Valparaiso is clearly and firmly Don DeLillo's play. Despite DeLillo's published statements that the play is much looser than his novels, the script is incredibly tight. Here, DeLillo's inexperience as a playwright shines through: as several reviews have evidenced, the play is too densely constructed for much of the audience to understand in a single viewing. DeLillo's brilliant use of words is wasted by the speed at which they are spoken. Repeated viewings, however, bring to light connective strands of the plot; the script is a sheer pleasure to read...
...Malick makes his return to the industry he left 20 years ago with this WWII drama which not only is thunderously dull but also completely hollow. Instead of giving us involving drama, Malick shellshocks us with a 3-hour, superficial Discovery Channel special. But the big disappointment is the script--Malick's dialogue is not only empty but just plain silly. Visually stunning, of course, but a resounding failure...
...Friday night, early December 1998, and you're backstage at Saturday Night Live. You're hanging out in the dressing room with Lauryn Hill, who is sitting on the couch, flipping through a script. The 23-year-old rapper-singer-actress is the musical guest on this week's show. It's her coming-out party, the first live TV performance she's done since releasing her critically acclaimed and best-selling album The Miseducation of Lauryn Hill. She might also do a little acting on the show--SNL staff members have asked her to appear in a skit...
...since broken up. Flash had drug problems, money problems and a court battle with his old record company, Sugar Hill, but he says today he has no ill will. He's the musical director on HBO's popular Chris Rock Show. And he's helping to develop a movie script about his life. "I was bitter a while back because I got into this for the love," says Flash. "I gave these people the biggest rap group of all time. But as long as there's a God, as long as I am physically able to do what...