Word: scripting
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Dates: during 1990-1999
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...enough to think about the script and the director," he says. "I must ask, Who is the studio? What is the international program? How much money do they have to spend on promotion? I don't want to make a decision to work | hard at something, to believe in something 100% and then have an executive in there who doesn't believe in spending a lot of money. I've had that happen. Predator opened at $12 million, and Barry Diller ((who runs 20th Century Fox)) said, 'We don't want to support the second week of the movie...
...enough of her cool, and with Pollack and the writers. Whatever else is going on in their lives, Jack and Bobby need to come to a world-well-lost moment, a rocking, rolling acknowledgment of suppressed desires. That does not happen. We get shadows and tenderness instead. Then the script sends her up- country to join the rebels and sends Jake after her. Away from the heat and claustrophobia of Havana, the picture loses plausibility and energy...
...script is at times too obvious, and lines like "It'll all be the same in 100 years" too blatantly draw attention to the cycles of time. But Wilder's play is also filled with more subtle, insightful references to time's passing; the additions to the Bayards' house and the changing names of the family's servants are good examples...
...wide-eyed belief of Culkin, 10, in the script's improbabilities is what makes them believable to the audience. A Manhattan native, he has been acting since he was four and has been around actors -- his own family -- all his life. His father Christopher has appeared in off-Broadway plays; his aunt is Bonnie Bedelia, who played Harrison Ford's wife in Presumed Innocent; and three of his five siblings are actors (the other two are too young). Culkin's biggest previous role was as John Candy's nephew in 1989's Uncle Buck...
Another strong feature of To Be Young, Gifted, and Black is its refusal to view Hansberry's life entirely through the prism of race relations. As the script convincingly demonstrates, problems of sexuality and artistic integrity occupy the Playwright's work as frequently as racial issues. The tension between her role as Black spokesperson and her individual identity is exposed in one scene in which characters from Hansberry's past encircle her and silence her voice with their own shouts...