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Word: scripting (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Although the musical talents of these performers lack the finesse that might have added a scene of professionality to the play, Schwartz's direction and Emily Brodsky and Roger Wong's production provide scenic portrayals and novel adaptations of the original script...

Author: By Aparajita Ramakrishnan, | Title: Direction Gives Spark, Sensuality To an Unimpressive Apple Tree: | 4/23/1992 | See Source »

More importantly, director Hans Canosa does nothing to resolve the confusing images of the play. In his over-enthusiasm to create unusual visual images, he complicates an already problematic script...

Author: By Ganesh Ramakrishnan, | Title: Innovative Music and Lyrics Save Uninspired Rommilly: | 4/23/1992 | See Source »

Zucker: Very little. Maybe 5 percent or something like that. We really spend a lot of time working on the script...

Author: By Marc D. Zelanko, | Title: Interview: Aiming for That "Bust Gut" | 4/23/1992 | See Source »

...still funny; it's still funny!" Something you just come up with one day on the set--you might decide the next take that it's not so great. Obviously, things do come up, and we do add things, but really we pretty much stick to the script...

Author: By Marc D. Zelanko, | Title: Interview: Aiming for That "Bust Gut" | 4/23/1992 | See Source »

...play was not really redeemed by the acting, for the simple reason that there was none. The cast seemed to spend less time acting than contorting. To be fair, they did not have much of a script to work with. It sprouted such inspiring lines as "I love you and everything is beautiful"--enunciated in various shades of monotone by a variety of people--and "I have lost her. Give her back to me." By trying to use such cliches for ironic ends, Artaud was created the worst kind of cliche--in effect, a self-parody...

Author: By Ashwini Sukthankar, | Title: Jet Bludgeons Senses, Convention With Meaningless Pretension: | 4/23/1992 | See Source »

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