Word: scripting
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Dates: during 1990-1999
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...also includes a 3-D stereogram, similar to the images found in "Magic Eye" books, that she made with the help of a special program. On the subject of her interesting array of eyestrain-producing letters, numbers, and symbols, Boshart relates, "One time, I was playing around with a script I was writing for my friend that would automatically generate a .plan for him. To test it, I removed my own .plan for the time being. Almost immediately after renaming it, I got a talk request from someone I didn't recognize...the guy said, 'Hi. You don't know...
Howard Korder's Search and Destroy is a disturbing parable about how to act reprehensibly and not get caught. Peter Kelly's new production of this play has three power sources: an explosive script, a kinetic cast and a hip new theater...
...could not hope for a better production of Search and Destroy. Actors, script and theater seem perfectly matched. Kelly's vision combines the sheen of cinema with the intimacy of live drama, and the result is an exhilarating escapist fairytale about a bad guy who gets away with...
...also one of only three sculptures showing F.D.R. himself. This all seems rather simple, but in truth, telling history is a difficult task these days, filled with experts, historians and special interests. Recently war veterans pressured the Smithsonian Institution to change its presentation of the Enola Gay. The original script for that World War II exhibition, they said, implied that the use of an atomic weapon on Hiroshima was overkill for a blameless enemy...
...references to Dante, to Caravaggio (Pasolini once said that he wrote the script completely around the character of the real Ettore Garofolo, whom he saw one day carrying plates in a restaurant "just like a Caravaggio figure"), to Mantegna's "Cristo morto," to Vivaldi, whose religious music provides the backdrop for much of the film. This tension between Marxism and Catholicism, neorealism and symbolic references, is never overwhelming. It enhances each sequence, beautifying that which is most ugly, most tragic, or even most ordinary in a film determined to expose just these elements of Roman life...