Word: scripting
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Dates: during 1990-1999
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Quake has a similarly empty script, but by using a radically different "graphics engine," it will deliver mesmerizing 3-D modeling. Doom addict Trent Reznor, of the rock band Nine Inch Nails, has created Quake's heavy-metal sound effects. The enhancements make Quake much more realistic than Doom--and yes, bloodier. (Kids: heads fly off and roll around on the ground! Zombies actually pull chunks of flesh out of their hides and fling them at you, then explode like red water balloons when you shoot them with your nine-inch nail...
...This summer Disney and Warner plan to shoot competing versions of Pre, the tale of legendary Olympic runner STEVE PREFONTAINE, far left, who died in a 1975 car crash at age 24. Disney, which is spending about $7 million, had the edge initially, shooting crowd scenes last year. But script rewrites slowed the pace. Warner, with $25 million budgeted, has surged ahead, reserving the college track where Prefontaine ran. Filming could begin in June. Both sides had casting setbacks. Warner wanted Tom Cruise but got BILLY CRUDUP, left. Disney had eyes for Brad Pitt but got JARED LETO, right...
What are we to make of Gore Vidal? He has earned a respectable reputation as an essayist and novelist, but now he's irrationally determined to pass himself off as a screenwriter, particularly of the script for Ben-Hur. This past year his obsession has grown like crabgrass. Your story on homosexuals in film and the documentary The Celluloid Closet [CINEMA, March 11] said that in Ben-Hur, "writer Vidal got actor Stephen Boyd to suggest, sub rosa, a homoerotic tryst with Heston." That demands a response for the record. Vidal was in fact imported for a trial...
Ironically, "Dead Man" is so strong in terms of style and sound that the script ends up being the weakest part of the film. Though Jarmusch intended the Native American character to break the two stereotypes of either "the savage who must be eradicated...or the all-knowing sage...that must mix in completely with nature." The character Nobody seems to resemble the latter. He is both overly noble and gratingly mystic, even if his mysticism is related not to "nature" but to the writings of William Blake. Gary Farmer portrays Nobody with the kind of inscrutable poker-face...
...choice of the poet William Blake as a central reference for the script was serendipitous, according to Jarmusch, yet the cloying axioms of the self-obsessed Blake are not any less cloying when they appear here. Still, the work of a more verbally interesting poet could have potentially overloaded this tautly balanced film...