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Word: scripting (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...actor. That's my bloody business. I'm the hardest working actor I know." And he knows quite a few. Alec Guinness, Anthony Quinn, Jack Hawkins, Jose Ferrer, Claude Rains and Arthur Kennedy play supporting roles to his T.E. Lawrence in a script written by Robert Bolt (A Man for All Seasons) and directed by David Lean (The Bridge on the River Kwai). All agree that Peter O'Toole is as good as he seems to think he is. "If I wasn't sure I could deliver the bloody goods, I would get off the bloody...

Author: /time Magazine | Title: New Faces: Lawrence of Leeds | 10/19/1962 | See Source »

...paintings had a similar rhythm, almost musical in their surges of line and empty spaces of pure silence. They required the mastery of the same calligraphic stroke, from the tight lines of the academic seal characters to the freer lines of "grass script." Color, when used, was often so fragile that it looked as if it could be blown away...

Author: /time Magazine | Title: Art: The Most Sensitive Brush | 10/19/1962 | See Source »

...word, Gigot is a weeper. If Comedian Gleason has his way-and he apparently had his way with John Patrick's script and Gene Kelly's direction-movie houses will have to supply their ushers with rowboats. Fortunately, though, the sniffles are frequently punctuated with snickers, and now and then with a button-popping belly laugh. Gleason has a gift of mimicry that verges on genius, and there are moments in this movie when the thin man struggling to get out of the fat man seems to be Charlie Chaplin...

Author: /time Magazine | Title: Cinema: Leg of Dinosaur | 10/12/1962 | See Source »

...acting, direction, scenery, music and beer all do full justice to the script. It is a show not to be missed...

Author: NO WRITER ATTRIBUTED | Title: Melodrama | 10/11/1962 | See Source »

...phone yesterday as similar to Loeb version in sets, music, and general techniques, although the New York production had to be adapted to a smaller theater. He called his experience at the Loeb valuable because "we could experiment until we found what the audience liked, and adjust the script accordingly...

Author: NO WRITER ATTRIBUTED | Title: Loeb 1961 Production Of 'A Man Is A Man' Wins N.Y. Praise | 10/10/1962 | See Source »

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