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Word: scripting (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

This project marks an important break from anything over produced by a student organization. While Ivy Films is contributing its staff to the actual mechanics of production, only two men control the script, the direction, and the problems of finances: co-producers Ted O Cron '52, Ivy's president, and Louis F. Lindauer, Brandeis...

Author: NO WRITER ATTRIBUTED | Title: New Film Attempts Documentary of West End | 11/27/1951 | See Source »

Cron and Lindauer wrote the tentative script last spring and submitted it to Ivy Films as this year's production. Cron withdrew the script this summer, after Ivy had drifted into the red. An agree-men was reached whereby the co-producers are financing and supervising the production, using Ivy's staff to make it. The Ivy men are receiving training, and will get screen credit for their work...

Author: NO WRITER ATTRIBUTED | Title: New Film Attempts Documentary of West End | 11/27/1951 | See Source »

...stuck for an ending" to her woeful tale, Lana is near a legal separation from her third husband, Millionaire Bob Topping, playboy tinplate heir. But like any Hollywood heroine, Lana can always count on a happy turning in the script. Last week Hollywood gossips reported her moving into a romantic closeup with a tall, dark and handsome Latin named Fernando Lamas. Says Lana: "I am quite sure that around the corner there is something good...

Author: /time Magazine | Title: Cinema: Life of a Sweater Girl | 11/26/1951 | See Source »

...blonde paralyzes the Legion by sashaying into the fort like a burlesque queen heading down the runway. All that is missing-and it seems ready to appear at any moment-is the sight of Bob Hope and Bing Crosby in burnooses with a few words to say about the script...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 26, 1951 | 11/26/1951 | See Source »

Golden Girl (20th Century-Fox) is a corny musical pseudobiography of Lotta Crabtree, whose 19th Century theatrical career carried her from California mining camps to Broadway. Getting almost as much mileage out of his script, Producer George Jessel sets the story during the Civil War, rigs up a fictitious romance between Lotta (Mitzi Gaynor) and a dashing Southern spy (Dale Robertson), trots out a series of old-fashioned vaudeville turns, plays for tears, waves the flag (both Union and Confederate) and endlessly plugs such oldtime numbers as Oh, Dem Golden Slippers...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 26, 1951 | 11/26/1951 | See Source »

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