Word: scriptful
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...Nicholson plays an obsessive-compulsive curmudgeon named Melvin Udall, whose isolated life is complicated by developing relationships with two acquaintances: a gay painter who lives in the apartment next door and a lovely, down-to-earth waitress who serves him lunch every day. The film's genuinely funny, moving script will make the audience feel as if it's earned a pleasant after-glow (and perhaps a Kleenex or two). --Erwin R. Rosinberg...
...that fans really remember from the old show, was the role of the evil doctor Smith. Gary Oldman gives an evil performance, to be sure, but since his reasons are explained in the plot exposition, he just doesn't seem as bad as the man from the sitcom. The script also brings random psychology into the relationship with the Robinson family. Ultimately, the best part of the movie is little Will Robinson. His performance almost guarantees that the movie will sell a lot of action figures. --Shatema A. Threadcraft...
...movie must end, director James Cameron drains the tension by framing the story of the Titanic through the eyes of Rose (Kate Winslet), who tells about her romance with the impoverished passenger Jack Dawson (Leonardo DiCaprio). The two run through the events of normal cinematic romance, and Cameron's script presents the lead actors with incredible cliches. Each of the other characters represents a segment of society rather than a person. As the ship breaks apart and its passengers choose between life and death, Titanic achieves an epic grandeur that the film may not deserve. Overall, a pyrrhic victory...
This wry caveat in the program for # was an early signpost to inscrutability. The script, written by Tim Yu and J. Eric Marler, was many things--arch, hip, synthetic, cruel--but it was not easy to follow...
...script is schizophrenic. While Macaulay's book is known for its intensive character studies of Nina and George, Wendy Wasserstein's script idles with the addition of random, irrelevant characters. Alan Alda and Allison Janey appear in small supporting roles to fit the screen with comic relief whenever the cheese becomes unbearable. Nigel Hawthorne, a Hytner mainstay, is thrown into the movie for no apparent reason (other than to give a tedious monologue where he works in the title of the movie.) Even worse, the script is unsure of itself-the declarations of love between various sets of characters...