Word: scriptful
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...girlfriend whom he encounters are a pimp and a prostitute, respectively; in the second such couple, gender roles are reversed. Billing the one-act play as a "zany comedy with serious undercurrents," author and co-producer Ned Colby, who is also a Crimson editor, declines to elaborate on his script, its title or its premise, explaining that he wants audience members to "make up their own minds about what the play is saying-or saying for them." But director Beth Newhall '02 offers a hint to bewildered readers: It's supposed to explore how media outlets like television can interfere...
...follows Mary and her attendant group of "Furies," who are either inmates of the asylum, creations of Mary's mind or both. Director Mimi Asnes '02, a Women's Studies concentrator, cites Foucault and de Certeau as having influenced her reading of the play. Asnes admits that Robertson's script has some weaker passages but adds that it is "fun and exciting because there is a lot of room for actors to explore movement and sound and relationship." Indeed, Asnes, who designed lighting for the production, has taken great pains to integrate lighting, sound and choreography, counting on this synthesis...
...roots of its success, of course, go back to a clever, well-refined script. Screenwriter Jessica Bendinger tapped into racial conflicts and moral dilemmas with her story of an ambitious white high school cheerleader (Kirsten Dunst), who discovers that her team has been stealing routines from a group of black cheerleaders on a rival squad. "We made a good film for the right price," says Marc Abraham, one of the producers who would've been perfectly happy had the film raked in $40 million. But good scripts don't always translate to box office success (see last weekend's grosses...
America has settled on the script - Gore lies, Bush is dumb. But I say they are both amateurs...
...Usually tough guys have no humanity and warmth, and the guys with humanity and warmth are soft," says Attanasio. "Andre is unique in that he encompasses both." Braugher was so taken with Attanasio's script that he signed up even though it meant a weekly red-eye commute from Los Angeles to his wife and two sons in the New York City area, 14-hour days on the set and nights alone in a rented house. "To me, location is not vacation," he says...