Search Details

Word: scriptful (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

That's easy. Hoffenstein's get-nowhere say nothing script condemns the picture from the start. The potential comedy in a story about a maid with a yen for fixing plumbing and an over-frank manner in the presence of superiors gets stuck in an under brush of plot complications. Given this bad material to work with, Lubitsch has made the worst of it. He has miscast both Miss Jones and Boyer in light comedy parts, and his attempts at satirizing English high-life seem ponderous, especially when handled by Peter Lawford and Helen Walker. Add to this a further...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 8/16/1946 | See Source »

George had done a horrible thing. When he came sneaking back to Bill's room later on, Bill chased him off to Texas. But George kept writing him letters (always copying Bill's script) and then he came back to Chicago and promptly started on more burglary. When a cop knocked him cold with a flowerpot in an apartment foray one night, George turned out to be Bill...

Author: /time Magazine | Title: CRIME: Bill & George | 7/29/1946 | See Source »

After an hour of siting for pictures of the back of their heads, the students, including two Radcliffe girls, were given their reward: a few short scenes of them taking notes while one crew member reread the script...

Author: NO WRITER ATTRIBUTED | Title: Hooton Sees End Of Moronic Man As Cameras Roll | 7/26/1946 | See Source »

Columbia Workshop (Sun. 4 p.m., CBS). "Pied Piper of Hamelin"; script & score written by Bandleader Artie Shaw, who also conducts the 38-piece orchestra...

Author: /time Magazine | Title: Radio: Program Preview, Jul. 22, 1946 | 7/22/1946 | See Source »

...picture's market value (or Want-to-See) depends on four basics: 1) theme -not necessarily the same as plot, 2) title, 3) cast and 4) a relatively unimportant item, treatment (script, direction, acting, etc.). By testing the first three elements on a cross-section audience, A.R.I, can predict, before a foot of film is exposed, whether the finished picture will panic them or put them to sleep...

Author: /time Magazine | Title: Cinema: A. P. & Want-to-See | 7/22/1946 | See Source »

First | Previous | 1557 | 1558 | 1559 | 1560 | 1561 | 1562 | 1563 | 1564 | 1565 | 1566 | 1567 | 1568 | 1569 | 1570 | 1571 | 1572 | 1573 | 1574 | 1575 | 1576 | 1577 | Next | Last