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Word: scriptful (lookup in dictionary) (lookup stats)
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Some of the sights were boring nonsense. Too often, the pictures lacked imagination: a commentator droning from a script; a couple of them chattering aimlessly; dull interviews with men-in-the-street or with friends and neighbors of Tom Dewey...

Author: /time Magazine | Title: Radio: Not Much to Look At | 11/15/1948 | See Source »

...produce it, has "repeatedly gambled on a-little-ahead-of-the-parade movie ideas.- Joan of Arc cost $4,600,000 to film, another $1,000,000 for Technicolor; it may have to gross as much as $9,000,000. A producer who bets that much on a script without sex is taking an awful chance. But Wanger had faith in an idea; and his faith was shared by his partners (Sierra Pictures is owned 40% by Ingrid Bergman, 30% each by Wanger and Director Victor Fleming). Says Wanger: "Right now people are confused. They need orientation. They want something...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 15, 1948 | 11/15/1948 | See Source »

...Eliot House band turned out in all its glory Wednesday. Over 100 spectators came despite the rain, but Eliot, undefeated in House League football since November 1946, couldn't live up to the script and lost to Kirkland...

Author: NO WRITER ATTRIBUTED | Title: Kirkland Tops Eliot by 14-7; League in Tie | 11/12/1948 | See Source »

When Robert Montgomery has the screen to himself, "The Saxon Charm" threatens to become a solid, intelligent film. Montgomery plays the part of the villainous Broadway producer Matt Saxon with skill and variety and as much subtlety as the script allows. Saxon in supposed to be the kind of domineering psychopath who wraps his will around everybody in his path, and drains them of individuality. He barges into their private lives, insulting, fascinating, and usually ruining them. That's the theoretical Saxon, at any rate...

Author: By David E. Lillenthal jr., | Title: The Saxon Charm | 11/6/1948 | See Source »

...beautiful readings of the poetry. He was allowed only one set, so he chose to accent the primitiveness of the characters by setting Inverness in a hollowed mountain. He was allowed only twenty-one days for actual filming. There was also the handicap of working with someone else's script...

Author: By George A. Leiper, | Title: Orson and Old Luce: Report on Macbeth | 10/22/1948 | See Source »

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