Word: scripted
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...within the dull plot, which seems to have been doped out by two cynical script-writers over a short beer, is some worthwhile stuff. The photography is for the most part excellent, especially a scene of a biplane disintegrating in the air in a thunderstorm. In fact, the parts of the movie that concern the flying are all good. Howard Da Silva, playing the worried owner of the airlines, is natural and convincing. William Bendix takes over every scene in which he is, as a hedgehopping pilot and a friend of the family. One wishes that the movie had stuck...
Some of the people who worked on the film and acted in it plainly have a real feeling for jazz and the feeling shows up on the screen with honesty and warmth. The genial touch of Elliott Paul (see BOOKS) is often clear in the script; the Negro musicians-notably Armstrong, Singer Billie Holiday, Trombonist Kid Ory and Guitarist Bud Scott-act and play their music with freedom and pleasure. At the end, regrettably, jazz becomes "respectable"-probably the worst break it could...
Hollywood benignly agreed that Playwright McGiver was ready for some graduate work. Cinemogul David O. Selznick sent him the script of the forthcoming Portrait of Jenny, asked if McGiver would please, for good Hollywood money, just touch up the Irish dialogue...
...while there arrives a motion picture that forces one to admit that Twentieth-Century society has developed a magnificent artistic medium, worthy of comparison to Elizabethan drama or Russian fiction of the last century. Perhaps symbolically for our age, its finest examples are not attributable to one man, author, script-writer, producer, director, or the actors. If any of these fail, the movie cannot be first-rate, and that is very likely the most important reason why the percentage of excellent films is so small. "Great Expectations" is a great picture. No one factor made it so. The novel...
...marks on soldiers and occupation personnel in Germany. For all goods and services supplied by Germans, such as telephones, railroad tickets, furniture, etc., the Army paid them from its hoard of marks. But for the use of these services, the Army charged soldiers and occupation personnel in occupation script, a strictly controlled U.S. currency. In effect, the Army was getting dollars for the marks it was giving the Germans. Even charitable funds sent to Germany were converted into marks before being paid out. Soldiers and Army civilians griped that "German reparations payments were being paid out of our pockets...