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...that the original manuscript of Alice in Wonderland would be sent back to England as a gift from Americans. Dr. Evans spent $50,000 to buy the manuscript at auction in New York in 1946, later got all but $5,000 back from anonymous donors who also wanted the script returned "as an expression of thanks to the British ... for holding off the enemies of freedom...

Author: /time Magazine | Title: MANNERS & MORALS: Americana, May 17, 1948 | 5/17/1948 | See Source »

...Script, once a magazine for Hollywood intellectuals, was revived 14 months ago by bouncy Robert L. Smith, carnation-sporting general manager of the Los Angeles Daily News. As a regional monthly it grew from a circulation of 913 to 53,000, but was losing $15,000 an issue, having set its contract ad rates too low. Bob Smith signed up two new angels: Moviemaker Sam Goldwyn and Manhattan's Webb & Knapp, Inc., run by William Zeckendorf (TIME...

Author: /time Magazine | Title: The Press: New Cash, New Faces | 5/17/1948 | See Source »

...movie producer when war came, and squat, shrewd George Glass, known as "an honest pressagent," took options on 30 of the late Ring Lardner's stories. They picked The Big Town for their first picture, changed the title and went looking for a star to fit the script. What comedian could handle Lardner's light touch without seeming all thumbs? Screen Plays eyed radio's Henry Morgan. After reading the story and a 100-page "treatment," Morgan said: "You're the first guys who had the brains to imagine that I might be interested in what...

Author: /time Magazine | Title: Cinema: How to Finance a Movie | 5/10/1948 | See Source »

With so much dough riding the throw, Duvivier carefully hedged his bet. His script tore down Tolstoy's complex scaffolding of historico-religious theory, eliminated the subplots, preserved only the central study of a falling woman, with a few glimpses of the high society she fell from. This might have been sufficient if the film had also saved a suggestion of the dreadful glacier-creep of Tolstoy's characterization. Instead, the camera work is uniformly uninspired, and the psychological glacier dissolves into teary slush...

Author: /time Magazine | Title: The New Pictures, May 3, 1948 | 5/3/1948 | See Source »

Vivien Leigh is lashed about by the tremendous role of Anna like a pussy cat with a tigress by the tail. She is not assisted by a script which insists on sentimentally ennobling one of fiction's most vehemently average women. Irish-born Kieron Moore, Britain's newest cinematinee idol, is badly miscast as the debonair Vronsky; he appears to be an idol with feet of peat. The principals suffer further by comparison with Sir Ralph Richardson, whose Karenin fairly lumps out the screen with its three-dimensional reality...

Author: /time Magazine | Title: The New Pictures, May 3, 1948 | 5/3/1948 | See Source »

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