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Word: scripted (lookup in dictionary) (lookup stats)
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Still and all, Beyond The Fringe boasts a smashing script which sticks everyone from Beethoven to Christine Keeler right in the bloody ribs, where it tickles and hurts. Ideally, hop down to New York and watch the authors act it with Beatle spirit, yet Macmillan-dry. Otherwise, buy the record. It's out on Capital...

Author: By Jacos R. Brackman, | Title: Beyond The Fringe | 2/27/1964 | See Source »

Nevertheless, he has fully captured the humor and satire in the script, along with a substantial part of the colorful pageantry envisioned by the playwright. It was a clever idea, for example, to stage the Venetian wooing scene between Marco and Donate as a parody of the Balcony Scene in Shakespeare's Romeo and Juliet...

Author: By Caldwell Titcomb, | Title: Marco Millions | 2/21/1964 | See Source »

...Ester, Ingrid Thulin seethes with the conflicts that kill, projecting a sad heroism that may well surpass the script's intentions. "I am known for my clear logic," she cries, but her body betrays her. During a hot, restless afternoon, she seeks escape from "horrible forces" in liquor, distracted reading, and autoeroticism...

Author: /time Magazine | Title: Cinema: On the Horrible Forces | 2/14/1964 | See Source »

Luckily, Kubrick has found actors who can inject significance, even tragedy, into the brash, punnish script. Chomping ceaselessly on a frayed cigar butt, Sterling Hayden's General Ripper represents a curious amalgam of William Holden and Groucho Marx. Yet, the character deepens magnificently, if momentarily, when Hayden stares shakily into the camera and wimpers his resolve to "keep my bodily fluids safe from women and the Reds." Somehow there is more than foolishness here. When the general stalks awkwardly into the washroom to shoot himself, a surge of pity undercuts the laughter. Hayden has almost created a Quixote; the nature...

Author: By Curtis Hessler, | Title: Dr. Strangelove | 2/5/1964 | See Source »

George C. Scott plays General Buck Turgidson who must tell President Muffley what Ripper "went and did." Scott's lines are outrageously funny, but the "Strangelove" script gives him little lee-way to improvise. About half-way through the picture, farce submerges all the intricacy Scott has infused into Turgidson. The character ends a near raving maniac, reflecting the general entropy that is engulfing the War Room...

Author: By Curtis Hessler, | Title: Dr. Strangelove | 2/5/1964 | See Source »

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