Word: scripted
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More Harm. Still, New Wave Director Jacques Rivette knew that getting La Religieuse as a film past the heavy-handed censors of the Gaullist republic would require some fancy cutwork. He took the unusual precaution of submitting his script to the censors in advance-and had to do it three times before getting a version approved for shooting. While the cameras were still rolling, conservative Catholic spokesmen started complaining, eventually mustered over 200,000 letters of protest to the government, many of them from nuns who felt that the film would do irreparable harm to the image of the modern...
...funny because it is a cartoon. If they see it in a museum, they think it is artistic; and if they find it in a fortune cookie, they think it's a prediction." In many ways, his message is best conveyed by his pages of elaborate, cursive script, in which the occasional images are understandable while the words are illegible. "Words are like vitamin pills," he explains. "We swallow them and think we have got something valuable inside us. But we don't. When we look at a drawing, we must hunt and invent our own meaning...
...contradiction in terms: a truly faithful Biblical film made by a Communist, Italian Director Pier Paolo Pasolini, who employs only nonprofessional actors and uses a script based entirely on Holy Writ...
...this month, arrived in Manhattan under the proud chaperonage of her parents-though a photographer did manage to ascertain that the kid has lovely legs. In fact, she is such a family concern that for her latest picture, the Upcoming Gypsy Girl, Mother Mary Bell Mills wrote the script, Father John Mills directed and Daughter Hayley acted as a 17-year-old who falls in love with a gypsy. "This silly thing about age," mused Father John. "One day she looks twelve, the next...
...movies, which include China Gate, Run of the Arrow, Merrill's Marauders, and Un-world USA. As a producer, he usually shoots them in the days, an extremely low budgets. As a writer, he has a flair for sensationalism, and his-plot ideas are lurid and compelling, though his script construction is sloppy and his dialogue implausible. As a director, Fuller can stand with the best. He is, as critic Andrew Sarris called him, "an authentic American primitive." He rarely uses tricky angles, generally putting his camera directly in front of whatever's happening, and extremely close...