Search Details

Word: scripted (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

McClelland is obviously interested in formal, traditional calligraphy. The exhibit includes "The Whale," an old English poem which he wrote out in insular uncial letters on a regular page layout. Both the language and the letters are alien--they could be written in Islamic script and have equivalent elegant linear formality. But the letterlines and page forms have a universal meaning independent of phonetics or linguistics. They be-speak exoticness, magnificence, and respect-compelling beauty...

Author: By Deborah R. Warhoff, | Title: McClelland | 12/13/1968 | See Source »

Coogan's Bluff--One of Donald Siegel's ("Invasion of the Body Snatchers," "Madigan") finest films, its pleasantly mechanical script completely transcended by the honesty and directness of Siegel's style and a moral concern for the fate of his characters. Clint Eastwood is fabulous, and the Siegel stock company (Susan Clark, Don Stroud) again proves a group of Hollywood's most capable new actors. Marred only by an unfortunately pedestrian last 60 seconds. At the ORPHEUM, Washington...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 12/13/1968 | See Source »

...writing of the script is a difficult period but a useful one, for it compels me to prove logically the validity of my ideas. In doing this, I am caught in a conflict--a conflict between my need to transmit a complicated situation through visual images, and my desire for absolute clarity...

Author: By David W. Boorstin, | Title: 'The Dove' and the Swede | 12/13/1968 | See Source »

...less cosmic new approach not only brings us closer to Bergman, it brings him closer to his favorite script-writer. The visual effects in Hour of the Wolf made points the dialogue just suggested. Persona was perhaps Bergman's first work that had to be a film, not a novel set to beautiful pictures...

Author: By David W. Boorstin, | Title: 'The Dove' and the Swede | 12/13/1968 | See Source »

Need one continue? I'll admit two minor characters, Mortimer and Henry, do strain one's good will by over-playing, but the fault lies in the script and not in the actors. On the other hand, Steven Flax's set made ingenious use of the library's windows and staircases, and John Hanick's lighting was remarkably creative. On balance, Leverett has mounted a delightful production...

Author: By Gregg J. Kilday, | Title: The Fantasticks | 12/12/1968 | See Source »

First | Previous | 1125 | 1126 | 1127 | 1128 | 1129 | 1130 | 1131 | 1132 | 1133 | 1134 | 1135 | 1136 | 1137 | 1138 | 1139 | 1140 | 1141 | 1142 | 1143 | 1144 | 1145 | Next | Last