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...director's influence is sufficiently strong in the picture that the focus of Boys as a film is radically different from that of Boys as a play, despite the fact that the script remains virtually unchanged. On stage, the center of attention throughout was Michael, and since he is the least happy and most destructive of the group, he set the tone of evening. As a result, homosexual critics (and the Mattachine society) jumped on Crowley for playing up the self-hating homosexual at the expense of the happy, well-adjusted one. In the movie, the camera works to enlarge...

Author: By Frank Rich, | Title: The Moviegoer The Boys in the Band opens at the Astor today | 3/18/1970 | See Source »

...through. But all manner of neat details begin to make themselves felt. The movie gets to the defector's new house in Alexandria and suddenly all the CIA men are obnoxious boors, the Russian has thrice their intelligence and cock has departed from the heavy-handed moralism of the script to work ironically against...

Author: By Mike Prokosch, | Title: The Moviegoer Topaz at the Harvard Square through tomorrow | 3/16/1970 | See Source »

Relying more than ever on his instincts, Hitchocock takes what he wants from Topaz's script and undercuts the rest. What he wants seems to be situations; the rest, sentiments expressed in the dialogue. Topaz has more existential variety and less emotional intensity than any of his previous films. New people and places follow each other, evoking scant reaction from the hero and his closest associates. The film has at least four beginnings and endings, but its characters do not change in the slightest. Hitchcock does not even motivate their actions...

Author: By Mike Prokosch, | Title: The Moviegoer Topaz at the Harvard Square through tomorrow | 3/16/1970 | See Source »

From a director who always built his films about the moral progress of their heroes, this comes as a surprise. So does Hitchcock's indirect use of the script, spreading it to the point of incoherence instead of building its climaxes for all they are worth. Bchind this anti-melodrama lies an anti-hero. Andre Deveraux maintains with almost catatonic consistency his impassivity toward tortures and murders for which he is responsible...

Author: By Mike Prokosch, | Title: The Moviegoer Topaz at the Harvard Square through tomorrow | 3/16/1970 | See Source »

...show grew out of Producer Reynolds' friendship with Dr. Norman Schacter, principal of Los Angeles High School. Many of the show's exterior scenes are shot at L.A. High, while the series' interior sets are based on the classrooms, corridors and offices of the school. Several script ideas have taken shape in the minds of the show's writers after spending time on the campus talking to teachers and students and sitting in on classes. "Arizona State Loves You," the story of a college coach recruiting a black high school athlete, is based on a similar...

Author: /time Magazine | Title: Television: Showing What's Wrong | 3/16/1970 | See Source »

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