Word: script
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Dates: during 1990-1990
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Even before her current burst of renown, Fisher had become a sought-after scriptwriter. Film rights to Surrender have been sold to Paramount with Steven Spielberg producing and Fisher supplying the dialogue. She's also finishing a film script called Christmas in Las Vegas, a recast, modern Hansel and Gretel tale based on one of her short stories...
...Iraqi President's videotaped message to America last week was absurdly long -- 75 minutes of a staid Saddam at his desk, potted plant to his left -- and the rambling script brimmed with illogic, non sequiturs and esoteric references to history. In the land of the sound bite, where attention spans are conditioned by the quick democracy of the remote control, The Saddam Show was barely worthy of public-access cable, much less prime-time TV. It was no surprise that the major networks ran only brief excerpts, while CNN relegated its full airing of the tape to 1 a.m. Eastern...
Another intriguing aspect of Pinter's script is the various levels at which the characters "betray" each other and their attitudes towards betrayal in general. Kiser's Robert viciously internalizes the bitterness which the affair has engendered in him, but refuses to acknowledge it in himself. He maintains an outwardly stable friendship with Jerry, meeting him regularly for lunch. At the same time, he issues a misogynist tirade about "girl babies" that is a thinly veiled attack on Emma. Kiser's tense, self-controlled performance is inarguably the show's most memorable...
This sort of stage artifice is Betrayal's central problem: every poignant gesture is extended beyond its natural limits, every subtle shade is obliterated by the stark interpretation. Even the harsh lighting creates a visual over-simplification on the stage. Betrayal is a first-rate script with an ingenious plot, and the acting in this production is generally admirable. But its black and white interpretation leaves us longing for a touch of gray...
...cross cast while remaining true to the intentions of the scriptwriter when holding auditions for this fall's performance of Tiny Alice. "I wanted to cast the best actors--male or female. However, it became clear during auditions that gender cross casting would be disruptive to Albee's script...