Word: script
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Havel's creative script is not wasted on director Orion Ross. Ross molds the play into a dimension not only of sight, but of sound. The play opens with China Forbes off-stage, singing in her clear, strong, beautiful voice, while John Ducey and Blake Spraggins bumble about in pantomime as social scientists Karel Kriebl and Emil Machal. And in the first true scene, Ross creates a breakfast interlude in which the clanking of silverware, plates and glasses speak as much as the characters at the table...
What is at times disappointing is Lee's script. At some points, Lee's writing shines. Particularly noteworthy are the exchanges which go on between the band members backstage, in practice, and at parties. There, Lee's wit comes through in humorous and insightful glimpses into the machoism of contemporary Black males. Lee's scripting of the female characters is considerably weaker. Their personalitites are a bit flat, if not stereotypical, and their dialogue, far from natural and convincing, consists of contrived speeches which Lee lazily uses to move the plot along...
...Balkans, and each of today's conflicts exposes layers of the past. Friction between the various republics may reflect the conflict between Roman Catholicism and Greek Orthodoxy, or Islam and Christianity, or Slav and Turk, or Slav and German. Yugoslavs do not even share an alphabet: Serbia uses Cyrillic script; Croatia and Slovenia, Roman. As the old British dictum went, Yugoslavia is a small country with big problems -- six republics, five nationalities, four languages, three religions, two alphabets and one political party. The only change today is a proliferation of parties as well...
...simply the thoughtful and careful script based on Turow's novel that make this movie a success. Much of the credit belongs to the editors for their effective juxtaposition of flashbacks and present action, and placement of each successive scene...
...what to make of the work--it is hard, after all, to imagine a film suffering from too much talent. But there is an obvious incompatability between the writing talents of Bergman (proven in the past by his works Blazing Saddles and Fletch) featured in this taut, very funny script, and the monolithic acting abilities of two-time Academy Award winner Brando. Matters are complicated further by the fact that The Freshman is largely a parody of the mob ethos engendered by The Godfather and its central character, Don Corleone, immortalized by Brando...