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...Leverett House Arts Society production of Amadeus (directed by Grace Fan) effectively exploits this difficult but potent script, and presents an earnest reading of Shaffer's Salieri. Arthur Wu dominates the production with his impressive control of both voice and gesture, and makes the psychological portrait of Salieri's anguish convincing. Jessie Cohen plays an irrepressible and eminently likable Mozart, and the casting of a woman in the role of the composer-child emphasizes the youthful and effeminate side of the composer's character as Shaffer interprets...

Author: By John D. Shepherd, | Title: After the Party: Mozart Revisited, Man and Music | 4/9/1992 | See Source »

Director Gina Fried-Miller has dealt well with a demanding play whose greatest weakness is the script itself, which, despite being humorous, falls short of expectations at crucial junctures. Nevertheless, she has done well in producing an entertaining and successful mixture of magnificent acting and singing in the gorgeous Agassiz Theater...

Author: By Ganesh Ramakrishnan, | Title: Utopia: It's the Closest You'll Ever Get at Harvard | 4/9/1992 | See Source »

...This movie materialized right after The Godfather," said Olmos in a recent interview, referring to the script which was written in 1974 and originally had been designed as an Al Pacino vehicle...

Author: By Joe Matthews, | Title: Olmos | 4/2/1992 | See Source »

What accounts for the star stampede? The obvious answer is just such box- office magic. Impresarios often conclude, as did Roger Berlind of Death and the Maiden and Richard Seader of Shimada, that a new script by an unknown author absolutely requires star clout. Says Berlind: "The average straight play costs more than $1 million to produce. Doing one on Broadway without the protection of name recognizability is almost a lost business." Seader is even blunter: "We were originally considering off-Broadway. I don't think we would have done Shimada on Broadway without stars...

Author: /time Magazine | Title: Give My Regards To Malibu | 3/30/1992 | See Source »

...catch up with himself. At times he keeps pace, knowingly talking shop with Coppola, Spike Lee and Steven Spielberg, once childhood idols, now professional confidants; or he adopts a man-of-the-world tone as he kindly reassures auditioning actresses that none of the women in his new script are "prostitutes, maids or welfare mothers," the demeaning roles that black women are usually required to play in films...

Author: /time Magazine | Title: Not Just One of The Boyz: JOHN SINGLETON | 3/23/1992 | See Source »

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