Word: script
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...news followed by Kinnear wisecracks) and lots of prepared shtick to keep the interviews from bogging down in, say, real conversation. For Julia Louis-Dreyfus, he introduced a taped bit purporting to reveal that she is actually bald. For Martin Short, he took out a script of ! The Bodyguard and asked Short to read for the Kevin Costner part. The program's redeeming feature is Kinnear himself, who is confident and comfortable in his first talk-show gig. If he doesn't replace O'Brien within six months, NBC really does need psychiatric help...
...Sirens and Bitter Moon, is every inch the blithe aristocrat. MacDowell imports her Groundhog Day sweetness to a role that is more a fantasy than a character. And Rowan Atkinson has a cute turn as a tongue-tied cleric. Richard Curtis (The Tall Guy, Blackadder) has stocked his script with transatlantic gags (How many times has Carrie had sex? "Less than Madonna, more than Lady Di"). The movie strains a bit to prove it's all a lark, but because the mood is cunningly sunny, and the cast is so relaxed in its empyrean of casual sex and restorative love...
...this film seems to consist of nothing but cliche albeit abusive diatribes from one spouse to another. One gets the sense that the film being made is going straight-to-video. Consequently, we are hardly interested in witnessing its production let alone the repetitive takes of boring scenes. The script, too, is dismal. When not rummaging through his chest of platitudes and overused analogies, writer Nicholas St. John creates his own Iudicrous dialogue. In a drunken rage, Burn's husband-from-hell course, of all things, "Consumerism!" One cannot forget, as well, the inexplicably crass run of tampon metaphors...
...level-headed brother to Raynathan (Wright), a nervous, unguided and violent man who sees no way out and doesn't know how to maneuver from the inside. While each of these actors deliver strong acting jobs, their talent cannot overcome the horror of the cliche-ridden, predictable but unrealistic script...
...neighbor would say this. The subject matter, I have been told, is the same: the horror and entrapment of the drug trade. This would make sense since both "New Jack City" and "Sugar Hill" were written by Barry Michael Cooper. "Sugar Hill" merely makes it a cliche. The disjointed script does not give the film's subject matter the credibility it deserves. I've heard "New Jack City" was a ground-breaking film, but why do we need to see a second and poorer version...