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...successes like Congo and Clueless. Indeed, top Paramount executives Jonathan Dolgen and Sherry Lansing were just given new contracts, and Redstone seems eager to work with them--closely. "Sherry said to me, 'I promise you I won't make a picture unless I'm in love with the script,'" Redstone relates. "That was the problem with Jade. I liked the picture, but I didn't know who was killing whom...

Author: /time Magazine | Title: A FIRING AT FORT SUMNER | 1/29/1996 | See Source »

...idea for a Hearst film, was also desperate. His first RKO project--Heart of Darkness, which would be told with a subjective camera and would star Welles as Marlow and Kurtz--was deemed too pricey. Now, with Mank's unbilled help (the deal specified no screen credit for his script), Welles hoped to turn a jolly plutocrat into a tragic figure, swathe the San Simeon Sun King in the menacing shadows of movie melodrama. Kane would be Welles' Hearst of Darkness...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

...main thing for Welles, beyond the games, was the work. He goaded his newcomer cast and ace cinematographer Gregg Toland into playing the script's long scenes with few cuts; the audience, he figured, would be smart enough to find the drama without the nudging of montage. He kept the film secret from studio brass. But he couldn't keep Kane from Hearst. Mank couldn't, anyway. He handed the script to Charles Lederer, who was both Davies' nephew and the new husband of Welles' ex-wife. It came back annotated by Hearst's lawyers. And that was just...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

...counting methods, Kane would have won for Best Film. In fact, the only statuette went to Welles and Mankiewicz, for Best Screenplay. Mank, who did not attend the ceremony, told Welles he would have said, "I am very happy to accept this award in Mr. Welles' absence because the script was written in Mr. Welles' absence...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

...higher authority, Michael Eisner. Once Disneyfied, all the royal characters would be subject to the same rules as the regular Disney characters, who don't make a tabloid spectacle of their eating disorders and ski trips. Certain Disney characters speak only in the movies, where they follow the script; when they are sent out in public at the theme parks, they are as mute as Harpo Marx. A mute button would be the best thing to happen to the monarchy since Oliver Cromwell...

Author: /time Magazine | Title: TIME FOR WINDSORLAND | 1/29/1996 | See Source »

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