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...ambitious misfire "Hallelujah, I'm a Bum," they spent another five, largely frustrating years.) This time, the songwriters play themselves; and though it may be due to our boys' limited acting skills, there seems an undertaste of distaste that Dick shows Larry. Hart is humiliated in the script, in Rodgers' withering comments and, for one scene, in the couture: he wears a plaid suit, collar buttoned up, that looks like a kid's pajamas. Hart is the bad wittle boy, Rodgers' the annoyed adult. If these self-portraits are at all accurate, they suggest a reversal...

Author: /time Magazine | Title: That Old Feeling: Heart to Hart | 7/8/2002 | See Source »

NEWMAN: I don't understand why competition has to exist between actors. Some guy starts with a marvelous character, and the script is all there. All he has to do is show up. Another guy digs it out by the goddamn roots with a terrible director and turns in this incredible performance. And someone says one is better than the other. That's what's nice about car racing. It's right to a thousandth of a second. Your bumper is here. That guy's bumper is there...

Author: /time Magazine | Title: Movies: Two For The Road | 7/8/2002 | See Source »

...Marat Safin, who between them have won 21 Grand Slam titles, came up against comparative unknowns in second-round matches at Wimbledon, the world's oldest tennis tournament, they were supposed to win comfortably. But someone had forgotten to give George Bastl, Paradorn Srichaphan and Olivier Rochus the script. They blew the big guns out of the competition. In just over three hours the three stars contrived to lose to players all ranked outside the world's top 50. Third-seeded Agassi lost in three sets to Thailand's Srichaphan, while the second seed Safin seemed powerless against the clever...

Author: /time Magazine | Title: Wimbledon Surprises | 6/30/2002 | See Source »

Last time out, Spielberg tried humanizing Kubrick. This time (working from a Philip K. Dick story and an excellent script by Scott Frank and Jon Cohen), he borrows Hitchcock's Catholic belief that we are not all criminals, but we are all guilty; our humanity is our original sin. Anderton--on the run for a murder he hasn't thought of committing of a man he doesn't know--is oppressed by guilt because his young son was kidnapped while they were at a public swimming pool. Indeed, water, as both symbol and character, is everywhere in this film...

Author: /time Magazine | Title: No Artificial Intelligence; Just Smart Fun: THE REVIEW | 6/24/2002 | See Source »

...call it men in black II. As is the way of sequels, the script is a rehash of the original: in an international football tournament, the losing team claims to have been done in by incompetent referees. Matters take a particularly ugly turn when a group of irate players, smarting from defeat, surround and rough up the official in front of TV cameras. Aghast, football's governing body promises to deal severely with the athletes to ensure that this kind of behavior doesn't happen again...

Author: /time Magazine | Title: Lay Off the Refs | 6/24/2002 | See Source »

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