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Lyricist Lerner's script touches up the story with such humorous byplay as a sly spoof of etiquette in a London pub on the eve of the royal wedding. It also gives Comedian Keenan Wynn a chance to shine in the double role of a brash, slang-spewing Broadway agent and the Oxford-accented twin...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 12, 1951 | 3/12/1951 | See Source »

...movie oils its large-scale, mechanized slapstick with some of the camaraderie of Broadway's Mister Roberts. It also wisely recruits a key enlisted man (Harvey Lembeck) from that show's original cast. Unfortunately, the script is not up to the job of sustaining the hilarity of its idea at feature length. The picture loses pressure when repeating its shenanigans, sighs windily in romantic interludes between Cooper and his WAVE wife (Jane Greer). But more frequently, when it gets up a full head of steam, U.S.S. Teakettle bubbles with...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 12, 1951 | 3/12/1951 | See Source »

...contribution, "The Apparition," was the weakest of the four, though it came closest to being a play. Unfortunately, it tried to be two plays, one within the other, all within fifteen minutes. Except for an amusing performance by Kay Levy the acting was choppy and hampered by a pointless script, the last part of which consisted of quite a lot of words in no particular order. Lyon Phelps' "3 Words in No Time" was the most complex of the plays, but despite careful staging and impressive delivery by Thayer David and Jerry Kilty, it was not entirely coherent...

Author: By Daniel Elisberg, | Title: The Playgoer | 3/1/1951 | See Source »

...will long-suffering husband Sullivan take her back? The whole skillfully effected sense of the movie seems to rebel at that notion, but the preview audiences evidently did not. Co-Producer Bruce Manning and Director Curtis Bernhart, who wrote the script together, compromise. They have the taste to end the picture on a muted, tentative note, but not the courage to keep the ending from clashing with their theme...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 26, 1951 | 2/26/1951 | See Source »

Actress Young is seldom out of Director Tay Garnett's camera; her excellent acting almost turns Cause for Alarm! into a one-woman show. But a tight script by Mel (The Window) Dinelli and Producer Tom Lewis also contains rounded minor roles, unusually well played by Margalo Gillmore as a garrulous busybody and Irving Bacon as a footsore postman slogging toward his pension...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 26, 1951 | 2/26/1951 | See Source »

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