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Landru. Another Chabrol film, with a script by Francoise Sagan, this one is a kind of comedy of murders, based on the story of the French Bluebeard who killed off ten women during World War 1. Two of the victims: Danielle Darrieux and Michele Morgan...

Author: /time Magazine | Title: Cinema, Television, Theater, Books: may 31, 1963 | 5/31/1963 | See Source »

Called simply Marilyn, the new picture contains about 90 minutes' worth of segments from old Marilyn Monroe movies, adding some never-seen takes from her last, unfinished film. Fox has brought in Rock Hudson as narrator. The script is a little sticky now and again, but there is no fatigued pseudo-psychoanalysis, nor is there any of the newsreel documentation that so long and frenetically concentrated on the private disaster rather than the public star...

Author: /time Magazine | Title: Hollywood: Marilyn, My Marilyn | 5/31/1963 | See Source »

...India's Satyajit Ray speaks a universal language. The Postmaster tells of the touching relationship between a backwoods postmaster and a ten-year-old girl who is his servant; The Conclusion is a comedy about a reluctant bride, ardent groom and spoiled mother. With minor changes of script, Two Daughters could have been made in rural Louisiana...

Author: /time Magazine | Title: Cinema: May 24, 1963 | 5/24/1963 | See Source »

...universal language in this gentle and witty two-part film. The Postmaster tells of the touching relationship between a backwoods postmaster and a ten-year-old girl who is his servant; The Conclusion is a comedy about a reluctant bride, ardent groom and spoiled mother. With minor changes of script, Two Daughters could have been made in rural Louisiana. The Third Lover. Equally understandable is Claude Chabrol's latest film, a chilling story about a self-centered young man whose envy drives him to ruin the happiness of a couple who befriend him. Chabrol, who launched the French...

Author: /time Magazine | Title: Cinema, Television, Theater: May 17, 1963 | 5/17/1963 | See Source »

...Maxwell has paced Feydeau's farce at a breathtaking rate--so fast, in fact, that the actors sometimes sound like a long-playing record at 45 rpm. But the speed is necessary to preserve the absurdity and humor of the script...

Author: By Joseph M. Russin, | Title: Please Don't Walk Around in the Nude | 5/17/1963 | See Source »

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