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...Major before righting himself and going on to give one of the most thrilling live performances in the history of recorded sound. Another impressive recital is the 1968 television concert, which features Horowitz's best, most graceful reading of Schumann's gentle Arabeske as well as a thundering Scriabin Etude in D-sharp Minor. Horowitz continued to play for 16 years after he left Columbia, but his horizons never again expanded, while his coy mannerisms became more pronounced. By the time of his 1986 return to Russia, he had become a musical dwarf star, with an imploding repertory...

Author: /time Magazine | Title: THE GREATEST PIANIST OF ALL? | 7/21/2008 | See Source »

...Moscow, Brelis discovered the genesis of Horowitz's remarkably wide intellectual interests. Visiting the Scriabin Museum, the master pianist recalled that his parents had been advised by Scriabin to make sure that their son "knows art and literature, history and philosophy. To be a great artist he must know more than music." Then he said to Brelis, "Without a broad knowledge, I should never have known the clear thoughts and feelings I experience playing the piano...

Author: /time Magazine | Title: A Letter from the Publisher: May 5, 1986 | 6/21/2005 | See Source »

...hear Horowitz," said Nadia Tsiganova, who had stayed in line all night to get her ticket. "He is magnificent." Yuri, a young soldier on his way to Afghanistan, exclaimed reverently, "I will carry the memory of this afternoon with me always." Reviewing the program of Scarlatti, Mozart, Rachmaninoff, Scriabin, Schubert, Liszt and Chopin, Critic Dmitri Bashkirov wrote in Sovietskaya Rossiya, "He indisputably remained the brightest bearer of the Russian performing tradition. I think there was not one person in the hall who didn't leave the concert in a happy, elevated mood." After watching on TV back...

Author: /time Magazine | Title: Vladimir Horowitz: The Prodigal Returns | 6/21/2005 | See Source »

...interview with The Crimson. His father was a violinist in the New York Philharmonic, though, and it was through attending many concerts that Schuller started collecting records at the age of 13. "By 16, I had two or three thousand recordings. Composers like Stravinsky, Schoenberg, Ravel, Debussy, Scriabin--they were my initial influences. They precipitated my harmonic and rhythmic styles...

Author: By Anthony Cheung, CONTRIBUTING WRITER | Title: 'Of Reminiscences and Reflections': 75 Years of Gunther Schuller | 11/3/2000 | See Source »

...unavailable on CD, and some pieces, such as Clifford Curzon playing Mozart's Piano Concerto No. 27, have never before been released commercially in any format. Deacon scoured the archives--and his own collection--for rare and historic performances. He passed over Alexis Weissenberg's famed 1971 recording of Scriabin's Nocturne for the Left Hand, and hunted down the master of Weissenberg's obscure 1950 version of the piece, which, says Deacon, is "perhaps the most poised and beautiful recording ever made...

Author: /time Magazine | Title: Music: Piano Bravissimo | 12/7/1998 | See Source »

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