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What keeps audiences and film directors going back to Greene for more? Wood suggests that modern audiences may be drawn to the “Greene hero” because in this era, where many times human social interaction is limited to the computer screen, contemporary viewers identify with the characteristic loneliness of the Greene hero...
Greene’s sparsely-worded novels befit a particularly easy conversion to film—almost too easy. “Part of the attraction of translating fiction to the screen is the fact that it is all there,” Wood says. “I think that actually creates a problem because a movie is a director’s vehicle. You find that a [more suitable] novel will give the director license to do [what he creatively innovates...
Escape to the deserts of Botswana and—for a moment—enter into the jungle world of the Kalahari lion. Brought to you very realistically thanks to the 180-degree domed film screen at the Museum of Science. Daily through Feb. 17. Science Park. Call...
...novel plot in contemporary cinema; it has congealed to the point where every hug, tear and clumsy montage seem carefully choreographed. Refreshingly, Around the Bend, reveals an organic push and pull that approaches the mostly shapeless narrative of real relationships that is only reinforced by the subtle performances of screen legends Christopher Walken and Sir Michael Caine...
...They] have this really awesome projector and a big-ass 10-foot screen...