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...screenplay by Ruth Gordon and Garson Kanin flashbacks on Florence and Chet Keefer (Judy Holliday and Aldo Ray) as they tell a sympathetic lady judge (Madge Kennedy) about the troubles that led them to the divorce court after seven years of marriage and two children. Among their problems: 1) Aldo was once late to pick up Judy for a party, 2) Judy lost a $2,600 radio jackpot because Aldo tipped her on the wrong tune title when she knew the right one all along, and 3) Aldo was jealous...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 17, 1952 | 3/17/1952 | See Source »

...again Joseph (All About Eve) Mankiewicz's direction is too heavy-handed for this light-fingered subject. The picture has several good chases through Istanbul and Ankara, but the film adaptation of onetime German Attaché L. C. Moyzisch's 1950 book, Operation Cicero, stresses screenplay rather than gunplay. Sample: when Cicero delivers his first batch of film to Moyzisch, he says pompously: "Destiny has held out its hand to you tonight. Take it and hold...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 10, 1952 | 3/10/1952 | See Source »

...gangsters, saboteurs, ringers and Marie Wilson. The plot, which limps as badly as Groucho's horse, fortunately has room for a number of familiar set pieces: Groucho confounding his Navy commander, Groucho playing a Kentucky colonel, Groucho leering at Marie Wilson. Director Chester Erskine, who also wrote the screenplay, subscribes to the theory that if the action is fast it must be funny. Groucho struggles heroically to prove him right, but doesn't quite make...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 25, 1952 | 2/25/1952 | See Source »

Died. Philip G. Epstein, 42, who, with his twin brother Julius, made up one of Hollywood's top scenarist teams, chiefly as adapters of plays (The Man Who Came to Dinner), novels (Chicken Every Sunday) and short stories (My Foolish Heart), Oscar winners in 1943 for their screenplay of Casablanca; of cancer; in Los Angeles...

Author: /time Magazine | Title: Milestones, Feb. 18, 1952 | 2/18/1952 | See Source »

When John Steinbeck's screenplay is not dishing up primer politics and flabby moralizing (the unlettered bandit is made to mouth such sentiments as: "I don't want to be the conscience of the world"), Viva Zapata! is good, muscular horse opera. Director Elia Kazan has filled it with vigorous action-horsemen charging, ammunition trains being dynamited and peons fighting. Striking sequence: President Francisco Madero being shot down by the military in the glare of automobile headlights while a siren drowns out his cries...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 11, 1952 | 2/11/1952 | See Source »

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