Word: screenplay
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...temperature of the body, ranging in the first case from marble to velvet; in the second from hot to cool, which is partly seasonal; in summer fiction they tend to be cool. There are also body-geography and sexual-topology students-erotic spelunkers of a sort. Since the modified screenplay distantly related to From Here to Eternity, fornication in the surf has become the desideratum, so that the brief tussle in the sea foam has now become a standard image of suggestion, and when the waves keep on breaking in, all by themselves, you know what's happening. Among...
Actually, the narrative, is divided into two streams. One rises in Germany, one in the U.S., and both run separately through the screenplay until they converge in the fatal conclusion. Brando, his hair bleached for the occasion, plays a sensitive German lieutenant who hates killing, but justifies it as the only way to bring lasting peace to Europe. He resists the attempts of his superior officer (Maximilian Schell) to make him "a creative soldier"; resists the military dictum that "when you become a soldier you contract for killing in all its forms"; resists the friend who tells him that despite...
...Pierre Boulle's screenplay, the bridge on the River Kwai is built by the Japanese during World War II, using British prisoners as a labor force. The British colonel who commands the prisoners eventually falls in love with the bridge. He builds it better than the Japanese could have done without him, as a symbol of what can be accomplished by British "soldiers, not slaves." So infatuated is he with his wooden love-child that he nearly frustrates an attempt by Allied commandoes to blow...
...survivors stands on a hill everlooking the remains of the bridge, its builder, and its destroyers, murmuring, for very good reason, "Madness...madness." Such fine touches of irony pervade the film, giving it a refreshing tartness that most war movies lack. Boulle has packed into his screenplay all the elements a good war movie ought to have: torture, escape, death, destruction, heroism, sacrifice, and so forth. But everything is seen freshly, with the eye of an artist instead of a hack...
...conspicuously green thumb. Producer Hal Wallis has provided the movie with Italy's Anna Magnani, an actress as earthy (and sometimes as mysteriously beautiful) as a potato; with Anthony Quinn, an actor so radically natural that not even 20 years of Hollywood has spoiled him; and with a screenplay by Arnold Schulman that veers with the story's gusts of emotion as lightly as a weathercock in the wind...