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Millen Brand is like an English major who minored in psychology and never feels quite sure that it shouldn't have been the other way around. Author of The Outward Room and coauthor of the screenplay for The Snake Pit, he has served long enough as a psychiatric aide to become vocationally confused about his main role as a journeyman novelist. Brand's raw material- case histories detailing the unorthodox treatment of psychotics in the late 1940s- obsesses him at the expense of his craft. Anything approaching the tragic finally escapes him, but in this best-selling novel...

Author: /time Magazine | Title: Books: Guest at the Games | 12/20/1968 | See Source »

Funny Girl--If you like Barbra Streisand, there is no getting around the fact that this movie works. The score, the screenplay, and even Omar Sharif are fine. The photography, on the other hand, is unfortunate, as is the editing. At the CHERI 2, Dalton St. in Prudential Center...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 12/13/1968 | See Source »

Funny Girl--If you like Barbra Streisand, there is no getting around the fact that this movie works. The score, the screenplay, and even Omar Sharif are fine. The photography, on the other hand, is unfortunate, as is the editing. At the CHERI 2, Dalton St. in Prudential Center...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 12/6/1968 | See Source »

...Night at the Opera--George Kaufman and Morrie Ryskind loaded the screenplay with more jokes and comic situations than any movie has a right to have. Groucho, Harpo and Chico are fine and have great foils in Margaret Dumont, Sig Rumann, and the drippy romantic leads, Kitty Carlisle and Allan Jones. Very likely the funniest movie ever made. At the SYMPHONY II, Huntington at Mass...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 12/6/1968 | See Source »

...ugly movie. Director Eric Till manages to capture the non-ugly features of his characters and the charm of the middle-class London settings. (And he does it without resorting to the gratuitous flashiness of a Norman Jewison work). The jokes provided in the Ustinov-Ira Walach screenplay are unfailingly gentle, and, in the case of some bits involving Robert Morley and Casar Romero, quite funny. What the film lacks in physical beauty and glamour, it replaces with humour and heart. I'll take two inarticulate bumblers falling in love while their dinner burns over two rich sex-symbol thieves...

Author: By Frank Rich, | Title: Hot Millions | 11/26/1968 | See Source »

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