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Loving. Set in John Cheever country-the wealthy suburbia of Fairfield County, Connecticut-this American film presents the dilemma of a financially insecure commercial artist unable to come to terms with either his wife or his mistress. Irvin Kershner, who directed from a screenplay by Don Devlin, has a terrific fell for the sterility of his settings and the dogged humanity of his characters. Even when being funny, the movie is underlined by that dim light we associate with the pain of three o'clock in the morning. The picture also has a brilliant climax involving closed-circuit television...

Author: By Frank Rich, | Title: The Ten Best Films of 1970 | 1/11/1971 | See Source »

...jail. The point of view here is jaundiced to say the least; no one is to be trusted. Everybody is in the cast and everybody does well. Among them are Henry Fonda, Kirk Douglas, Arthur O'Connell, Hume Cronyn, Burgess Meredith, Warren Oates, and Lee Grant. The screenplay is by Robert Newman and David Benton, who also have Bonnie and Clyde to their credit...

Author: By Frank Rich, | Title: The Ten Best Films of 1970 | 1/11/1971 | See Source »

...service comedy set during the Korean War and manned by a group of farceurs including Donald Sutherland, Sally Kellerman and Elliot Gould before he became obnoxious. Ring Lardner Jr. wrote the screenplay and Robert Altman directed, frenetically...

Author: By Frank Rich, | Title: The Ten Best Films of 1970 | 1/11/1971 | See Source »

...Mules for Sister Sara. A Don Siegel piece (with a screenplay by Albert Maltz from a story by Budd Boetticher) about a would-be nun (Shirley MacLaine) and a would-be pragmatist (Clint Eastwood) in a warring Mexico...

Author: By Frank Rich, | Title: The Ten Best Films of 1970 | 1/11/1971 | See Source »

...final film. Functionally, Harvard was there simply to provide an excuse for connecting up terribly upper-class Ryan O'Neal with lower middle-class Ali McGraw, whom Hollywood seems to have slated to pick up all the ethnic roles than Anthony Quinn can no longer play. The screenplay could have been set on a cross-town bus during the recent New York taxi strike and it wouldn't have really made any difference...

Author: By Gregg J. Kilday, | Title: Love Story II Day of the Locust-Hahvud Style | 1/6/1971 | See Source »

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