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...budget doubled, shift the style to the period in which the book is set (late 1940s and early 1950s), and alter the whole conception of the film. "I saw important ideas in this book that had to do with dynasty and power," he says. "Puzo's screenplay had turned into a slick, contemporary gangster picture of no importance. It wasn't Puzo's fault. He just did what they told him to do." With Puzo's collaboration, Coppola rewrote the script along the broader lines he envisioned. "It was my intention," he says, "to make this...

Author: /time Magazine | Title: Show Business: The Making of The Godfather | 3/13/1972 | See Source »

Directed by PETER YATES Screenplay by WILLIAM GOLDMAN...

Author: /time Magazine | Title: Cinema: Schlemiel Quartet | 3/6/1972 | See Source »

Directed by ANTHONY FRIEDMAN Screenplay by ANTHONY FRIEDMAN and RODNEY CARR-SMITH

Author: /time Magazine | Title: Cinema: Masterly Inflections | 3/6/1972 | See Source »

...JERUSALEM FILE Directed by JOHN FLYNN Screenplay by TROY KENNEDY MARTIN

Author: /time Magazine | Title: Books and Bullets | 3/6/1972 | See Source »

Perhaps it's just a clever plot, but Paddy Chayefsky's screenplay of The Hospital hides almost the same assumption and a few more to boot. Rapist (George C. Scott, playing a doctor) and rapee (Diana Rigg) fall in love; Scott, his flagging potency restored, finds life worth living again; Rigg is cured of her nymphomania. Meanwhile life-and death-in a big New York City hospital goes on. The story evades numerous intriguing issues: Rigg has a potentially interesting madman for a father. He causes chaos in this wonderland of technological medicine, but he assures us that in Mexico...

Author: By Esther Dyson, | Title: Doctor Scott | 2/28/1972 | See Source »

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