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When she attended a Manhattan high school, Jean Arthur's ambition was to become a tight-rope walker. She got a job as a photographer's model. When a Fox scout saw her picture he arranged a screen test, then a contract. At 15, Jean Arthur went to Hollywood, acted in cinema for nine years, made her stage debut in 1932 as a Hungarian peasant in. Foreign Affairs. Since then she has appeared in The Curtain Rises, Virtuous Husbands, The Man Who Reclaimed His Head...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Sep. 24, 1934 | 9/24/1934 | See Source »

...sides of the dome to the top. Inside was a specially designed clinical crib with accessories. The crib was in focus whatever the position of the cameras. The dome's interior was flooded with a soft, diffused light. The dome was encased in a one-way vision screen so that operators outside could see inside, but the performing infant could not see outside...

Author: /time Magazine | Title: Science: Babies | 9/24/1934 | See Source »

...hope this provides an answer to the critics of the screen who claim there is nothing new in the movies. What the medical profession needs is a damned good gagman...

Author: /time Magazine | Title: Letters, Sep. 10, 1934 | 9/10/1934 | See Source »

...Dietrich. Two years ago, when he was a hard-working young lawyer in Manhattan, John Davis Lodge went to Hollywood to join his dancer-actress wife, Francesca Braggiotti, who had been duplicating Greta Garbo's voice in Italian and French versions of her films. Paramount officials offered him a screen test and a job. Said Actor Lodge, whose previous dramatic experience had been confined to Le Cercle Frangais and Hasty Pudding shows at Harvard: "I thought the matter over very seriously. There is a great deal of competition among lawyers and it is hard work. My wife is interested...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 3, 1934 | 9/3/1934 | See Source »

...gangsters in the cinema were wicked and incorrigible. They beat their women, shot policemen, smuggled rum and ended their careers at the end of a rope or in the gutter. Due to the combined efforts of the Hays organization and Damon Runyon, whose stories have set a new screen fashion, this is no longer true. Lately cinema racketeers have been gentlemen, masquerading sheepishly in wolves' clothes. In Lady for a Day, Little Miss Marker and Midnight Alibi, the heroes were mollycoddle outlaws whose better natures were aroused by old ladies or a glimpse of Shirley Temple. In Hide-Out, Lucky...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 3, 1934 | 9/3/1934 | See Source »

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