Word: screening
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...brings Anna Held to America and makes her a national idol by immersing her daily (in private) in milk baths. He then marries the beautiful Anna (magnificently played by Luise Rainer) and moves ahead with the production of more pageania in the grand manner. For three glittering hours the screen is alive with Ziegfeld, his personal life and his productions. At least half an hour is devoted to a Ziegfeldian ballet based on his song hit "A Pretty Girl Is Like a Melody" and studded with the most unbelievable number of chorus girls against absolutely indescribable settings...
...true lover of the screen at its best can fail to be captivated by the charm, simplicity, and haunting loveliness of "Poil de Carotte," current attraction at the Fine Arts. Throughout this intensely arresting film one is aware of an earnest sincerity and gripping reality which afford a pleasing diversion from the superficial grist of the Hollywood mill. Rarely does a picture of this sort, dealing as it does with an acute psychological problem, meet with success from the several standpoints of characterization, sustained interest, and insight into the foibles of human behavior...
...differs from all predecessors in its class by demanding a cerebral rather than an emotional response. Its climax is reached not when two lovers are reunited but when an unmarried couple (Pearl Argyle, Kenneth Villiers) more interested in the cosmos than in each other disappear from the screen in the direction of the moon, thus causing the President of the World, Raymond Massey, to state the Wellsian moral: ''All the Universe or nothingness-which shall...
...comparable distinction have ever worked in Hollywood. Most of these have either laughed at or despised their jobs. Author Wells, who was on the set most of the time Things to Come was in production, was so delighted that he promptly declared he would concentrate on writing for the screen hereafter. He now considers films "the greatest art," expects them "to oust both opera and stage...
...critics outside Sacramento the efforts involved in getting Sutter's Gold on the screen seemed last week as misdirected as the celebration over its opening was unjustified. Hampered by a script that characterized its hero variously as paragon and scoundrel, pinchpenny and profligate, altruist and profiteer, without ever making him a human being, the best Producer Edmund Grainger, Director James Cruze and Actors Arnold, Lee Tracy and Binnie Barnes could offer the public was 85 minutes of dignified boredom, which suggested that the producers of Sutter's Gold had wearied of the performance before it began...