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First to run off this evening will be "Dream of a Rarebit Fiend," one of the earliest examples of screen comedy. It was directed in 1906 by Edwin S. Porter...

Author: NO WRITER ATTRIBUTED | Title: Comedy Marks Start Of Film Society Show | 11/20/1940 | See Source »

...wounded rhinoceros. Even his romance muscle-woman Marjoric Main smacks of mating season in Tanganika. And few actors in Hollywood have sheer primitivism down to such a fine art as Wallace Beery. Another distinguishing feature of the picture is the magnificent landscapes; in fact, the upper part of the screen is far wilder and woolier than the action in the foreground...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 11/19/1940 | See Source »

...recording operations Garity and Stokowski used 430,000 feet of sound track, cut and patched it eventually into 11,953 feet. When the recordings were played back in a specially equipped studio in Hollywood, brother engineers were astounded to hear Soundman Garity's sound follow characters across the screen, roar down from the ceiling, whisper behind their backs. RCA and Disney engineers, having built his equipment at a cost of $85,000, called it "Fantasound," and crowed that it would revolutionize cinema production like nothing since the invention of Technicolor...

Author: /time Magazine | Title: Music: Disney's Cinesymphony | 11/18/1940 | See Source »

Outspoken, aggressive little Director Mervyn Le Roy lost none of the story in transposing it to the screen. Even the saccharine qualities of Norma Shearer are skillfully tempered to fit the regenerated Countess. Only Robert Taylor, unfairly injected into big-league competition, falls behind the pace. But Director Le Roy's combination is too strong to be defeated by this single handicap...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 18, 1940 | 11/18/1940 | See Source »

...with Hollywood's new taste for social significance; and filmed with the inimitable MGM touch of authenticity, it could not miss its mark. It did not, but neither did it displace "The Mortal Storm" as by far the most credible and exciting Nazi-blaster ever flashed across the American screen...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 11/18/1940 | See Source »

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