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Word: screening (lookup in dictionary) (lookup stats)
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...week's end the railroads got a reprieve. Secretary of the Army Kenneth Royall asked that his Intelligence officers be allowed to screen Clark's 4,000-page brief, lest potential enemies learn too much about the strategic use of the railroads. Railroad men hoped that Army red tape might delay the suit indefinitely...

Author: /time Magazine | Title: RAILROADS: Refunds? | 9/13/1948 | See Source »

...door. Dancer Vickie Evans, hearing them, opened it from the inside. In the living room with the hostess, a pert blonde movie starlet named Lila Leeds, and Robin Ford, a scared real-estate man, the cops found big, sleepy-eyed Cinemactor Robert Mitchum. The handsome $3,000-a-week screen hero hastily tried to get rid of a cigarette that turned out to be marijuana. A detective found other "reefers" on Mitchum, Ford and Miss Leeds...

Author: /time Magazine | Title: Cinema: Crisis in Hollywood | 9/13/1948 | See Source »

...heard the news in Las Vegas, and announced that she was undecided. By the time she reached Hollywood, she told newsmen that she would "stand by" Bob. Next day, to an obbligato of clicking shutters, the Mitchums posed in Hollywood's traditional happy-home embrace. Bob wore his screen-lover expression. Hollywood anxiously hoped that a public which (it thinks) likes and expects happy endings would soon forget the whole thing...

Author: /time Magazine | Title: Cinema: Crisis in Hollywood | 9/13/1948 | See Source »

Private Life of an Actor (Siritzky International) is the first film made by Sacha Guitry, France's scampish old do-it-all of stage & screen, since he was cleared of charges of collaborating with the Nazis. The movie was mildly applauded in Paris, but stirred up an anti-Guitry demonstration in Lyon (TIME, June 7). On its own account, it is worth little fuss of any kind. It is a tribute, redolent of grease paint, to Sacha's famed actor father . Lucien. The son's brittle wit shows to best advantage when he is dishing out impudence...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 13, 1948 | 9/13/1948 | See Source »

This Hitchcock stunt also required of the actors a sustained discipline that is fairly new to the screen. The result is quite exciting. Continuous action builds a tension all its own. The players, too, are keyed unusually high by the intensity and interest of trying something new, so that, although their performances are elementary, they have a vividness and vitality which are rare in current movies...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 13, 1948 | 9/13/1948 | See Source »

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