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...Enhance 224 to 176,” Ford mumbles to the machine, gazing unblinkingly at the screen that displays the photo. Like all the rusted machinery of Ridley Scott??s dystopian Los Angeles, the Esper clicks and whistles, zooming in on a shadow of someone’s arm. But our protagonist is not satisfied. “Enhance,” he says again...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Blade Runner: The Final Cut | 11/15/2007 | See Source »

...Nevertheless, the point about visuals bears repeating, especially for the uninitiated who have yet to experience the grimy grandeur of Scott??s imagined world...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Blade Runner: The Final Cut | 11/15/2007 | See Source »

...first glance—or a 12th or 47th glance—just open your eyes and take in Scott??s Los Angeles...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Blade Runner: The Final Cut | 11/15/2007 | See Source »

...it’s back to the Esper. Deckard finds the clue he needs in his photograph, but we’ll never find exactly what we’re looking for. The true final cut, in which we can actually live inside Scott??s world, exists only in our mind?...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Blade Runner: The Final Cut | 11/15/2007 | See Source »

...might have recalled his role in the less-classic “Hollow Man.”Brolin’s star turn in this week’s release “No Country for Old Men,” as well as his commanding performances in Ridley Scott??s “American Gangster” and Robert Rodriguez’s “Grindhouse” may cause today’s moviegoer to think that the actor has finally made a return to cinema. But in fact, Brolin has been working steadily ever...

Author: By Bram A. Strochlic, CONTRIBUTING WRITER | Title: Brolin Reveals 'Country' Secrets | 11/9/2007 | See Source »

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